The Marriage of Cupid and Psyche

Andrea Schiavone (Andrea Meldola)

Created:
Movement:
1545
Mannerism
key Notes:
Mythological union; Renaissance allegory.
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Dimensions:
Overall, with corners made up, 51 1/2 x 61 7/8 in. (130.8 x 157.2 cm); painted surface 50 1/2 x 61 1/2 in. (128.3 x 156.2 cm)
medium:
Oil on wood, transferred to Masonite
story of the work:

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The Marriage of Cupid and Psyche

Andrea Schiavone (Andrea Meldola), 1545

Medium: Oil on wood, transferred to Masonite

"The Marriage of Cupid and Psyche" by Andrea Schiavone, also known as Andrea Meldola, is a notable example of mid-16th century Venetian painting. Schiavone's work is characterized by its dynamic composition and the use of vibrant colors, reflecting the influence of both Titian and Parmigianino. This painting illustrates the mythological union of Cupid and Psyche, a popular theme in Renaissance art, symbolizing the triumph of love and the soul's journey towards divine union. Schiavone, originally from Dalmatia, was an influential figure in the Venetian art scene, contributing to the development of Mannerism in the region. His innovative techniques and expressive style left a lasting impact on his contemporaries and subsequent generations of artists. The transfer of the painting from wood to Masonite indicates efforts to preserve the work, highlighting its historical significance and the challenges of art conservation.

Description of the work:

The Marriage of Cupid and Psyche

The Marriage of Cupid and Psyche, created by Andrea Schiavone (Andrea Meldola) in 1545, is an oil painting originally on wood, later transferred to Masonite, depicting the mythological union of Cupid and Psyche. The artwork exemplifies the Mannerist style, characterized by its elongated figures and complex composition, and is housed in the collection of the National Gallery of Art in Washington, D.C.

Artwork Photograph Source:
Metropolitan Museum of Art

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The Marriage of Cupid and Psyche