The Room No. VI

The Room No. VI by Eldzier Cortor

The Room No. VI, created in 1948 by Eldzier Cortor, is an exemplary work that utilizes oil and gesso on Masonite. Cortor, an African American artist, is renowned for his portrayal of the Black female form, often imbuing his subjects with a sense of dignity and resilience. This painting is significant for its exploration of themes related to African American identity and cultural heritage during the mid-20th century. Cortor's work is often noted for its elongated figures and intricate compositions, which reflect his interest in both African art and the Harlem Renaissance. The use of Masonite as a medium allowed Cortor to achieve a smooth surface, enhancing the detailed and expressive quality of his work. As a pivotal figure in American art, Cortor's contributions continue to influence discussions on race and representation in art history.

"The Room No. VI" by Eldzier Cortor, created in 1948, is an oil and gesso painting on Masonite that exemplifies the artist's exploration of African American identity through surreal and elongated forms. The artwork's style reflects a blend of realism and abstraction, capturing intimate interior scenes with a focus on the human figure.