The Virgin Adored by Saints

The Virgin Adored by Saints by Ippolito Scarsella

The Virgin Adored by Saints, created in 1614 by Ippolito Scarsella, also known as Scarsellino, is a notable example of the artist's work in oil on copper. This medium, less common than canvas or wood, allowed for a luminous quality and fine detail, which Scarsellino skillfully employed to enhance the devotional subject matter. The painting reflects the Mannerist style, characterized by its elegant figures and complex compositions, which were prevalent in late Renaissance Italy. Scarsellino, active primarily in Ferrara, was influenced by the Venetian colorists and the Carracci family, contributing to the transition from Mannerism to Baroque. His works often depicted religious themes, resonating with the Counter-Reformation's emphasis on piety and devotion. This painting exemplifies Scarsellino's ability to blend vibrant color with spiritual intensity, securing his place in the artistic developments of early 17th-century Italy.

"The Virgin Adored by Saints" by Ippolito Scarsella, also known as Scarsellino, is an oil on copper painting created in 1614, exemplifying the Mannerist style with its elongated figures and vibrant color palette. The artwork depicts the Virgin Mary surrounded by saints, showcasing Scarsellino's skill in rendering religious subjects with a sense of grace and devotion.