The Virgin Adoring the Child with the Infant Saint John the Baptist

Jacopo di Arcangelo (called Jacopo del Sellaio)

Created:
Movement:
1489
Renaissance
key Notes:
Renaissance Devotional Imagery, Tender Maternal Interaction
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Dimensions:
Arched top, 41 x 27 in. (104.1 x 68.6 cm)
medium:
Tempera and gold on wood
story of the work:

"The Virgin Adoring the Child with the Infant Saint John the Baptist" is a painting by Jacopo di Arcangelo, known as Jacopo del Sellaio, created in the late 1480s. The work exemplifies the artist's engagement with themes of motherhood and divinity, showcasing the Virgin Mary in a tender moment with the Christ Child. The inclusion of the Infant Saint John the Baptist highlights the connection between the two figures, emphasizing their significance in Christian iconography. Jacopo del Sellaio was active in Florence and was influenced by the artistic developments of the Renaissance, particularly the use of color and composition. The painting reflects the stylistic characteristics of the period, including a focus on naturalism and emotional expression. The exact provenance of the work is not well-documented, and its current location is not specified. The painting is noted for its serene atmosphere and the delicate rendering of the figures, which are hallmarks of Jacopo's style.

Description of the work:

"The Virgin Adoring the Child with the Infant Saint John the Baptist" by Jacopo di Arcangelo, known as Jacopo del Sellaio, is a tempera and gold on wood painting created in the late 1480s. The composition features the Virgin Mary, who is depicted in a serene posture, gazing lovingly at the Christ Child, who is cradled in her arms. The Child is rendered with delicate features and is shown reaching out towards the viewer, enhancing the intimate connection of the scene. Accompanying them is the Infant Saint John the Baptist, who is positioned to the right, holding a cross and looking towards the Virgin and Child. The background is characterized by a gold leaf halo that emphasizes the divine nature of the figures. The use of vibrant colors and intricate detailing in the garments of the figures adds depth and richness to the overall composition. The painting exemplifies the early Renaissance style, showcasing a blend of naturalism and spiritual symbolism. The overall arrangement creates a harmonious balance, drawing the viewer's eye to the central figures while maintaining a sense of tranquility.

Artwork Photograph Source:
Metropolitan Museum of Art

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The Virgin Adoring the Child with the Infant Saint John the Baptist