Venice: The Dogana and Santa Maria della Salute

Francesco Guardi

Created:
Movement:
1793
Rococo
key Notes:
Venetian cityscape; Atmospheric perspective
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Dimensions:
7 1/8 x 12 5/8in. (18.1 x 32.1cm)
medium:
Oil on wood
Difficulty:
Easy
New game
story of the work:

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Francesco Guardi's "Venice: The Dogana and Santa Maria della Salute" (1793)

Francesco Guardi (1712–1793) was a prominent Venetian painter known for his vedute, or detailed cityscapes, capturing the essence of Venice during the 18th century. "Venice: The Dogana and Santa Maria della Salute," created in 1793, exemplifies Guardi's mastery in using oil on wood to depict the atmospheric effects and vibrant life of Venice. This work is significant for its portrayal of the iconic architectural landmarks, the Dogana and the church of Santa Maria della Salute, which are central to Venice's cultural and historical identity. Guardi's style is characterized by a loose, expressive brushwork that conveys the dynamic interplay of light and shadow, distinguishing his work from that of his contemporaries. The painting reflects the transition from the grandeur of the Baroque to the more intimate and personal approach of the Rococo period. Guardi's contributions to Venetian art have cemented his legacy as a key figure in the development of landscape painting in Europe.

Description of the work:

"Venice: The Dogana and Santa Maria della Salute" by Francesco Guardi, created in 1793, is an oil on wood painting that captures the bustling maritime activity and architectural grandeur of Venice's iconic landmarks, the Dogana and the church of Santa Maria della Salute. The artwork exemplifies the Venetian veduta style, characterized by its detailed and atmospheric depiction of urban landscapes.

Artwork Photograph Source:
Metropolitan Museum of Art

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Venice: The Dogana and Santa Maria della Salute