Wall Drawing #821: A black square divided horizontally and vertically into four equal parts, each with a different direction of alternating flat and glossy bands

Sol LeWitt

Created:
Movement:
1997
Conceptual Art
key Notes:
Geometric abstraction, Textural contrast
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Dimensions:
Variable: 365.8 × 365.8 cm (144 × 144 in.)
medium:
Acrylic paint
Difficulty:
Expert
New game
story of the work:

"Wall Drawing #821" is a work by American artist Sol LeWitt, created in 1999. This piece exemplifies LeWitt's exploration of conceptual art and his interest in the relationship between drawing and architecture. The work consists of a black square divided into four equal parts, each featuring alternating flat and glossy bands that create a dynamic visual effect. LeWitt's wall drawings are characterized by their instructions for execution, emphasizing the idea over the physical artwork itself. The artist often collaborated with draftsmen to realize his concepts, allowing for variations in execution while maintaining the integrity of the original idea. "Wall Drawing #821" reflects LeWitt's systematic approach to color and form, as well as his engagement with minimalism and geometric abstraction. The specific date of creation for this wall drawing is not definitively recorded, as many of LeWitt's works were executed posthumously based on his written instructions.

Description of the work:

"Wall Drawing #821" by Sol LeWitt features a black square that is systematically divided into four equal quadrants. Each quadrant is characterized by alternating flat and glossy bands, creating a dynamic interplay of texture and light. The use of acrylic paint allows for a vivid contrast between the matte and reflective surfaces, enhancing the visual complexity of the work. The orientation of the bands varies in each quadrant, contributing to a sense of movement and rhythm within the composition. The overall structure adheres to LeWitt's conceptual approach, emphasizing systematic processes and the exploration of visual perception. The work exemplifies the artist's interest in the relationship between form, color, and surface treatment, inviting viewers to engage with the subtleties of the painted surface.

Artwork Photograph Source:
Art Institute of Chicago

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Wall Drawing #821: A black square divided horizontally and vertically into four equal parts, each with a different direction of alternating flat and glossy bands