Woodman (Waldarbeiter)

Georg Baselitz's "Woodman (Waldarbeiter)" (1969)

"Woodman (Waldarbeiter)" by Georg Baselitz, created in 1969, is a significant work that exemplifies the artist's exploration of the human figure through unconventional means. Utilizing charcoal and synthetic resin on linen, Baselitz challenges traditional artistic norms by presenting figures in an inverted manner, a technique he began employing in the late 1960s. This approach compels viewers to engage with the painting beyond its immediate visual representation, emphasizing form and composition over narrative content.

Baselitz, born in 1938 in Deutschbaselitz, Germany, emerged as a pivotal figure in post-war German art, often addressing themes of identity and history. His work during this period reflects a reaction against the prevailing abstract art movements, seeking instead to reconnect with figurative painting. "Woodman (Waldarbeiter)" is emblematic of Baselitz's broader impact on contemporary art, as it challenges perceptions and invites discourse on the nature of representation.

"Woodman (Waldarbeiter)" by Georg Baselitz, created in 1969, is a striking example of the artist's Neo-Expressionist style, characterized by its bold forms and dynamic composition. The artwork, executed in charcoal and synthetic resin on linen, depicts a figure in an inverted position, a signature technique of Baselitz that challenges traditional perspectives.