Pointillism

Pointillism, a technique within the broader Neo-Impressionist movement, emerged in the late 19th century, primarily developed by Georges Seurat and Paul Signac. Characterized by the meticulous application of small, distinct dots of pure color, Pointillism relies on the viewer's eye to blend these dots into a cohesive image. This method was grounded in contemporary color theory, emphasizing optical mixing and luminosity. The movement sought to bring scientific precision to Impressionism's exploration of light and color. Pointillism's themes often included landscapes, urban scenes, and figures, rendered with a sense of harmony and order. Its influence extended into the 20th century, impacting the development of modern art by inspiring artists to explore the interplay of color and perception, thus contributing to the evolution of abstraction and the exploration of visual perception in art.