Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck

Sir Joshua Reynolds

Created:
Movement:
1784
Neoclassicism
key Notes:
Portraiture elegance, Neoclassical refinement
Share:
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
Dimensions:
35 x 30 in. (88.9 x 76.2 cm)
medium:
Oil on canvas
story of the work:

"Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck" is a portrait painted by Sir Joshua Reynolds in 1784. The subject of the painting, Georgiana Augusta Frederica Elliott, was the daughter of the prominent British politician and diplomat, Sir Gilbert Elliott. Reynolds was a leading portrait painter of his time and a founding member of the Royal Academy. The painting exemplifies Reynolds' mastery of capturing the character and social status of his subjects through his use of color and light. The work is characterized by its elegant composition and the depiction of the subject in a fashionable gown, reflecting the style of the late 18th century. The painting is part of the collection at the National Gallery of Scotland. Specific details regarding the commission or the circumstances surrounding its creation are unknown.

Description of the work:

The painting "Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck" by Sir Joshua Reynolds features a full-length portrait of the subject, depicted in a graceful pose. The composition is characterized by a soft, luminous palette, with a predominance of pastel colors that enhance the subject's delicate features. Reynolds employs a rich texture in the rendering of fabrics, particularly in the flowing white gown adorned with subtle drapery. The background is a muted landscape that provides a serene context, allowing the figure to stand out prominently. The subject's expression is serene and contemplative, conveying a sense of dignity and poise. Light is skillfully manipulated to highlight the contours of her face and the intricate details of her attire. The painting exemplifies Reynolds' mastery of portraiture, capturing both the physical likeness and the character of the sitter.

Artwork Photograph Source:
Metropolitan Museum of Art

Could this content be improved?

Please let us know and we will be happy to correct it. We have put a ton of effort into collating and organizing all of this.
We may follow up with questions.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck