Madame Cezanne in a Yellow Chair

Paul Cézanne

Created:
Movement:
1888-90
Post-Impressionism
key Notes:
Portraiture, Post-Impressionism
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Dimensions:
80.9 × 64.9 cm (31 13/16 × 25 9/16 in.); Framed: 106.7 × 90.2 × 11.2 cm (42 × 35 1/2 × 4 3/8 in.)
medium:
Oil on canvas
story of the work:

"Madame Cézanne in a Yellow Chair" is a portrait of Hortense Fiquet, the artist's wife, painted by Paul Cézanne between 1890 and 1892. This work exemplifies Cézanne's distinctive approach to form and color, characterized by a structured composition and a palette dominated by yellows and greens. The painting reflects the artist's interest in the interplay between figure and background, as well as his exploration of spatial relationships. Cézanne often depicted his wife in various settings, highlighting both her presence and the domestic environment. The yellow chair serves as a focal point, contrasting with the more subdued tones of the background. This portrait is significant within Cézanne's oeuvre, illustrating his transition towards a more abstract representation of reality. The work is housed in the collection of the Philadelphia Museum of Art, where it continues to be a subject of study for its innovative techniques and emotional depth.

Description of the work:

"Madame Cezanne in a Yellow Chair" features a seated female figure, identified as the artist's wife, in a prominent yellow armchair. The composition is characterized by a strong use of color, particularly the vibrant yellow of the chair, which contrasts with the muted tones of the figure's clothing and the background. The figure is depicted in a frontal pose, with her body slightly turned, creating a sense of depth and volume. Cezanne employs a distinctive brushstroke technique, utilizing short, visible strokes that contribute to the overall texture of the painting. The background is rendered in a more subdued palette, allowing the figure and the chair to stand out as focal points. The interplay of light and shadow is evident, enhancing the three-dimensionality of the subject. The overall composition reflects Cezanne's interest in the relationship between form and color, as well as his exploration of spatial dynamics within the canvas.

Artwork Photograph Source:
Art Institute of Chicago

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Madame Cezanne in a Yellow Chair