Omnia Vincit Amor, or The Power of Love in the Three Elements

Benjamin West

Created:
Movement:
1809
Neoclassicism
key Notes:
Neoclassical Allegory, Mythological Symbolism
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Dimensions:
70 3/8 x 80 1/2 in. (178.8 x 204.5 cm)
medium:
Oil on canvas
story of the work:

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Omnia Vincit Amor, or The Power of Love in the Three Elements

Artist: Benjamin West

Year: 1809

Medium: Oil on canvas

Artistic and Historical Impact

Benjamin West's "Omnia Vincit Amor, or The Power of Love in the Three Elements" exemplifies the neoclassical style, characterized by its emphasis on classical themes and balanced composition. The painting reflects West's ability to blend allegorical content with a refined aesthetic, a hallmark of his work during this period. As a prominent figure in the art world, West served as the second president of the Royal Academy in London, influencing the development of art in Britain and beyond. His role as a mentor to many artists, including John Singleton Copley and Gilbert Stuart, underscores his lasting impact on the transatlantic art scene. West's work often bridged the gap between historical narrative and allegorical representation, contributing to the evolution of history painting in the 19th century.

Description of the work:

Omnia Vincit Amor, or The Power of Love in the Three Elements

Created in 1809 by Benjamin West, "Omnia Vincit Amor, or The Power of Love in the Three Elements" is an oil on canvas painting that exemplifies the Neoclassical style, characterized by its emphasis on classical themes and balanced composition. The artwork, which explores the allegorical theme of love's dominance over earth, air, and water, is part of the collection at the Yale Center for British Art.

Artwork Photograph Source:
Metropolitan Museum of Art

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Omnia Vincit Amor, or The Power of Love in the Three Elements