Saint Margaret of Antioch

Saint Margaret of Antioch by Neri di Bicci

Saint Margaret of Antioch, painted by Neri di Bicci in 1450, is a notable example of the use of tempera on wood, a common medium during the Italian Renaissance. This work exemplifies the religious devotion and iconography prevalent in 15th-century Florence, where Neri di Bicci was an active artist. Neri di Bicci, part of a prominent family of painters, was known for his prolific output and detailed workshop records, which provide valuable insights into the practices of Renaissance artists. The painting reflects the stylistic transition from Gothic to Renaissance art, characterized by its attention to detail and use of vibrant colors. As a representation of Saint Margaret, the work contributes to the visual narrative of Christian saints, serving both devotional and educational purposes. Neri di Bicci's contributions to religious art underscore his role in the dissemination of religious themes during a period of significant artistic evolution.

"Saint Margaret of Antioch" by Neri di Bicci, created in 1450, is a tempera on wood painting that exemplifies the early Renaissance style with its use of vibrant colors and detailed depiction of religious iconography. The artwork portrays Saint Margaret, a Christian martyr, and is notable for its intricate gold leaf background, a common feature in Italian religious paintings of the period.