Self-Portrait with a Harp
Rose Adélaïde Ducreux
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Self-Portrait with a Harp by Rose-Adélaïde Ducreux
Self-Portrait with a Harp, created in 1791 by Rose-Adélaïde Ducreux, is an exemplary work of late 18th-century portraiture, executed in oil on canvas. The painting showcases Ducreux's dual talents as both a painter and a musician, reflecting the cultural milieu of the French aristocracy prior to the Revolution. As the daughter of the renowned portraitist Joseph Ducreux, Rose-Adélaïde was well-versed in the artistic traditions of her time, yet she carved out her own niche by incorporating musical elements into her self-portraits. This work is significant for its demonstration of the artist's skill in capturing both likeness and the intricate details of the harp, a symbol of refinement and intellectual pursuit. Ducreux's contributions to art are often overshadowed by her father's fame, yet her self-portraits remain important for their insight into the role of women artists in the 18th century. The painting is a testament to her ability to navigate and express her identity within the constraints of her era.
Self-Portrait with a Harp by Rose-Adélaïde Ducreux
Created in 1791, "Self-Portrait with a Harp" by Rose-Adélaïde Ducreux is an oil on canvas painting that exemplifies the Neoclassical style, characterized by its clarity, balance, and restrained emotion. The artwork, which features the artist herself elegantly posed with a harp, is part of the collection at the Metropolitan Museum of Art in New York.