Untitled 72–12–A

"Untitled 72–12–A" is a work by Korean artist Chung Sang-Hwa, who was born in 1932 and is known for his contributions to the Dansaekhwa movement, which emphasizes monochrome painting and the process of creation. The painting exemplifies Chung's exploration of materiality and the physicality of paint, often employing techniques that involve layering and the manipulation of paint on canvas. The title suggests a systematic approach, possibly indicating the year of creation and a specific sequence in his oeuvre. Chung's work is characterized by a focus on the act of painting itself, reflecting a meditative engagement with the medium. The exact date of creation for "Untitled 72–12–A" remains unspecified, but it is representative of the artist's practice during the 1970s, a period marked by a heightened interest in abstraction and the tactile qualities of paint. Chung Sang-Hwa's works are included in various prestigious collections and exhibitions, contributing to the global recognition of Dansaekhwa as a significant movement in contemporary art.

"Untitled 72–12–A" by Chung Sang-Hwa features a composition characterized by a systematic application of acrylic paint on canvas. The surface exhibits a grid-like structure, with distinct areas of color that reflect the artist's interest in process and materiality. The palette is predominantly composed of muted tones, creating a subtle interplay of light and shadow across the canvas. The brushwork is precise, with layers of paint that reveal the artist's technique of pouring and manipulating the medium. The overall effect is one of rhythmic repetition and a meditative quality, inviting contemplation of the relationship between color, form, and the act of painting itself. The work exemplifies Chung Sang-Hwa's engagement with the principles of Dansaekhwa, a movement emphasizing monochrome and the physicality of paint.