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Minimalism

c. 1955
c. 1978
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Minimalism, emerging in the late 1950s and gaining prominence in the 1960s, is an art movement characterized by its emphasis on simplicity, geometric forms, and a reduction of elements to their essential components. Artists associated with Minimalism, such as Donald Judd, Agnes Martin, and Dan Flavin, sought to eliminate personal expression and narrative, focusing instead on the physical properties of materials and the spatial relationships between objects. The movement is marked by its use of industrial materials, repetition, and a monochromatic palette, often engaging with the viewer's perception and the surrounding environment. Minimalism's influence extends beyond visual arts, impacting architecture, design, and music, and it serves as a counterpoint to the emotive intensity of Abstract Expressionism, advocating for a more objective and literal approach to art-making. Its legacy persists in contemporary practices that explore the boundaries of form and space.

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