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Daniel-Henry Kahnweiler
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Pablo Picasso
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Created:
autumn 1910
Movement:
Cubism
Medium:
Oil on canvas
Dimensions:
100.4 × 72.4 cm (39 9/16 × 28 9/16 in.)
Key Notes:
Analytical Cubism, Fragmented Portrait
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Daniel-Henry Kahnweiler by Pablo Picasso

Daniel-Henry Kahnweiler, painted by Pablo Picasso in the autumn of 1910, is a seminal work in the development of Cubism, an art movement co-founded by Picasso and Georges Braque. This oil on canvas portrait exemplifies the analytical phase of Cubism, characterized by fragmented forms and a monochromatic palette that challenges traditional representation. The subject, Daniel-Henry Kahnweiler, was a prominent art dealer and early supporter of Picasso, playing a crucial role in the promotion of Cubist artists. Picasso's innovative approach in this painting reflects his departure from conventional perspective, emphasizing the depiction of multiple viewpoints simultaneously. This work not only solidified Picasso's reputation as a leading avant-garde artist but also marked a pivotal moment in the evolution of modern art. The painting remains a testament to Picasso's enduring influence on the trajectory of 20th-century art.

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At the Moulin Rouge
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Henri de Toulouse-Lautrec
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Created:
1892/95
Medium:
Oil on canvas
Dimensions:
123 × 141 cm (48 7/16 × 55 1/2 in.); Framed: 136.9 × 154.7 × 8.5 cm (53 7/8 × 60 7/8 × 3 5/16 in.)
Key Notes:
Bohemian nightlife; Distinctive color palette
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Henri de Toulouse-Lautrec's "At the Moulin Rouge"

"At the Moulin Rouge", created between 1892 and 1895 by Henri de Toulouse-Lautrec, is an exemplary work of Post-Impressionism, executed in oil on canvas. The painting captures the vibrant nightlife of the famous Parisian cabaret, reflecting Lautrec's fascination with the bohemian lifestyle of Montmartre. Toulouse-Lautrec's unique style, characterized by bold colors and dynamic compositions, significantly influenced the development of modern art. The artist, who was born into an aristocratic family in 1864, faced physical challenges due to a genetic disorder, which led him to immerse himself in the artistic community of Paris. His work provides a vivid portrayal of the social scene of late 19th-century Paris, offering insights into the cultural and social dynamics of the era. "At the Moulin Rouge" remains a critical piece in understanding the intersection of art and society during this period.

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The Immaculate Conception
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Guido Reni
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Created:
1627
Movement:
Baroque
Medium:
Oil on canvas
Dimensions:
105 1/2 x 73 in. (268 x 185.4 cm)
Key Notes:
Celestial Radiance, Divine Purity
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Immaculate Conception by Guido Reni

The Immaculate Conception, painted by Guido Reni in 1627, is a significant work of Baroque art, executed in oil on canvas. This painting exemplifies Reni's mastery in depicting religious themes with a sense of grace and ethereal beauty, characteristic of his style. Reni's use of soft, luminous colors and delicate brushwork in this piece enhances the spiritual and divine nature of the subject. The work reflects the Counter-Reformation's emphasis on Marian devotion, aligning with the Catholic Church's efforts to inspire faith through art. Guido Reni, an influential Italian painter, was renowned for his ability to blend classical ideals with the emotional intensity of the Baroque period. His contributions to religious art have left a lasting impact on the development of European painting, influencing subsequent generations of artists.

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Sunrise on the Matterhorn
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Albert Bierstadt
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Created:
1885
Movement:
Romanticism
Medium:
Oil on canvas
Dimensions:
58 1/2 x 42 5/8 in. (148.6 x 108.3 cm)
Key Notes:
Alpine Majesty, Luminous Dawn
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Sunrise on the Matterhorn by Albert Bierstadt

Sunrise on the Matterhorn, painted by Albert Bierstadt in 1885, is an exemplary work of the Hudson River School, known for its romantic portrayal of the American landscape. Bierstadt, a German-American artist, was renowned for his grandiose and luminous depictions of the American West, although this particular work captures the majestic beauty of the Swiss Alps. The painting is executed in oil on canvas, a medium that allowed Bierstadt to achieve the rich textures and vibrant colors characteristic of his style. His works, including this piece, played a significant role in shaping the perception of the American wilderness during the 19th century, contributing to the era's burgeoning interest in natural preservation. Bierstadt's meticulous attention to detail and dramatic use of light in Sunrise on the Matterhorn exemplify his ability to evoke the sublime, a key element in Romantic art. This painting not only reflects Bierstadt's technical prowess but also his enduring fascination with the interplay between light and landscape.

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Brushstroke with Spatter
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Roy Lichtenstein
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Created:
1966
Movement:
Pop Art
Medium:
Oil and Magna on canvas
Dimensions:
172.7 × 203.2 cm (68 × 80 in.)
Key Notes:
Pop Art, Abstract Expressionism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Roy Lichtenstein's "Brushstroke with Spatter" (1966)

"Brushstroke with Spatter" is a notable work by Roy Lichtenstein, created in 1966 using oil and Magna on canvas. This painting exemplifies Lichtenstein's exploration of the brushstroke as a subject, a recurring theme in his oeuvre that challenges traditional notions of artistic expression. By employing a comic strip aesthetic, Lichtenstein transforms the brushstroke into a mechanized and impersonal motif, reflecting his interest in the intersection of fine art and popular culture. The work is significant in the context of the Pop Art movement, of which Lichtenstein was a leading figure, as it critiques the gestural brushwork associated with Abstract Expressionism. Lichtenstein's innovative use of Ben-Day dots and bold lines in this piece underscores his role in redefining the boundaries between high art and mass media. Born in 1923, Lichtenstein's contributions to art continue to influence contemporary artists and the discourse surrounding visual culture.

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Mrs. Andrew Sigourney
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Gilbert Stuart
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Created:
1820
Medium:
Oil on canvas
Dimensions:
27 x 22 in. (68.6 x 55.9 cm)
Key Notes:
Portraiture elegance, Federal period attire
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Mrs. Andrew Sigourney by Gilbert Stuart

The painting "Mrs. Andrew Sigourney," created in 1820 by Gilbert Stuart, is an exemplary work of American portraiture from the early 19th century. Executed in oil on canvas, this piece reflects Stuart's mastery in capturing the likeness and character of his sitters, a skill that earned him a prominent place in American art history. Stuart is best known for his portraits of leading figures of his time, including the iconic unfinished portrait of George Washington. His ability to convey the personality and status of his subjects contributed significantly to the development of portrait painting in the United States. The work "Mrs. Andrew Sigourney" is notable for its refined technique and the subtle interplay of light and shadow, which are characteristic of Stuart's mature style. As a portraitist, Stuart's influence extended beyond his lifetime, shaping the conventions of American portraiture for future generations.

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Bullfight in a Divided Ring
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Goya (Francisco de Goya y Lucientes)
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Created:
1829
Movement:
Romanticism
Medium:
Oil on canvas
Dimensions:
38 3/4 x 49 3/4 in. (98.4 x 126.4 cm)
Key Notes:
Dynamic composition, Divided arena
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Bullfight in a Divided Ring by Francisco de Goya

"Bullfight in a Divided Ring", painted in 1829 by Francisco de Goya, is an evocative example of the artist's late work, executed in oil on canvas. This painting is part of Goya's exploration of Spanish cultural themes, particularly the spectacle of bullfighting, which he depicted with both fascination and critical insight. The composition is notable for its dynamic representation of movement and the dramatic use of light and shadow, characteristic of Goya's mature style. Historically, the work reflects the artist's continued engagement with themes of violence and spectacle, which were prevalent in his oeuvre. Goya, who lived through tumultuous periods in Spanish history, including the Peninsular War and the subsequent political upheavals, often infused his art with a sense of social commentary. This painting, created towards the end of his life, underscores Goya's enduring interest in the human condition and the complexities of societal rituals.

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Sunrise
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Claude Lorrain (Claude Gellée)
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Created:
1647
Movement:
Classicism
Medium:
Oil on canvas
Dimensions:
40 1/2 x 52 3/4 in. (102.9 x 134 cm)
Key Notes:
Luminous Atmosphere, Classical Landscape
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Claude Lorrain's "Sunrise" (1647)

Claude Lorrain, also known as Claude Gellée, was a prominent French painter of the Baroque era, renowned for his landscape paintings that skillfully integrated light and atmosphere. His work titled "Sunrise", created in 1647, exemplifies his mastery of oil on canvas to depict the serene beauty of dawn. Lorrain's landscapes were highly influential, setting a precedent for the depiction of natural light and inspiring future generations of landscape artists. His ability to capture the subtle transitions of light and shadow contributed significantly to the development of landscape painting as a respected genre. Lorrain's works are celebrated for their poetic quality and meticulous attention to detail, reflecting his deep appreciation for the natural world. As a key figure in the history of art, Claude Lorrain's contributions continue to be studied and admired for their artistic and historical significance.

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Stacks of Wheat (Sunset, Snow Effect)
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Claude Monet
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Created:
1890–91
Medium:
Oil on canvas
Dimensions:
65.3 × 100.4 cm (25 11/16 × 39 1/2 in.); Framed: 84.2 × 119.7 × 8.9 cm (33 1/8 × 47 1/8 × 3 1/2 in.)
Key Notes:
Impressionist Landscape, Seasonal Light Effects
story of the work:

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Stacks of Wheat (Sunset, Snow Effect) by Claude Monet

Claude Monet, a pivotal figure in the Impressionist movement, created "Stacks of Wheat (Sunset, Snow Effect)" between 1890 and 1891 using oil on canvas. This painting is part of Monet's renowned "Haystacks" series, which exemplifies his exploration of light and color under varying atmospheric conditions. The series marked a significant departure from traditional landscape painting by focusing on the transient effects of light rather than the subject itself. Monet's innovative approach in this series contributed to the development of modern art by emphasizing perception and the passage of time. The "Haystacks" series, including this work, underscores Monet's dedication to capturing the essence of nature, a theme that persisted throughout his career. Monet's influence extends beyond Impressionism, impacting subsequent art movements and solidifying his legacy as a master of capturing ephemeral beauty.

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Virgin and Child with Saint Anne
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Albrecht Dürer
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Created:
1519
Movement:
Renaissance
Medium:
Oil on linden
Dimensions:
23 5/8 x 19 5/8 in. (60 x 49.8 cm)
Key Notes:
Renaissance realism, familial intimacy
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Virgin and Child with Saint Anne by Albrecht Dürer

The painting "Virgin and Child with Saint Anne," created by Albrecht Dürer in 1519, is an exemplary work of the Northern Renaissance, showcasing the artist's mastery in oil on linden wood. Dürer, a pivotal figure in the German Renaissance, is renowned for his detailed and realistic portrayals, which are evident in this composition. The work reflects Dürer's deep engagement with religious themes, a common subject in his oeuvre, and highlights his ability to convey complex human emotions through meticulous detail. This painting is significant for its demonstration of Dürer's skill in blending Italian Renaissance influences with Northern European artistic traditions. Dürer's contributions to art extended beyond painting; he was also a prolific printmaker and theorist, whose works had a lasting impact on the development of European art. His exploration of proportion, perspective, and human anatomy in his art and writings influenced generations of artists.

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Queen Victoria
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Thomas Sully
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Created:
1838
Movement:
Romanticism
Medium:
Oil on canvas
Dimensions:
94 x 58 in. (238.8 x 147.3 cm)
Key Notes:
Regal portraiture, Romantic elegance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Queen Victoria by Thomas Sully

The painting "Queen Victoria" by Thomas Sully, completed in 1838, is an exemplary work of portraiture that captures the youthful monarch shortly after her ascension to the throne. Sully, an American artist known for his refined technique and elegant compositions, was commissioned to create this portrait during a visit to England. The work is notable for its delicate rendering of textures and the regal yet approachable demeanor of the queen, reflecting Sully's skill in capturing both likeness and character.

Historically, the painting holds significance as it was created during a period of burgeoning interest in the British monarchy in the United States, symbolizing transatlantic cultural connections. Sully's portrayal of Queen Victoria contributed to the popular image of the queen in America, enhancing his reputation as a leading portraitist of his time. The artist's ability to convey both the grandeur and humanity of his subjects is evident in this work, which remains a testament to his artistic legacy.

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Water Lily Pond (1919)
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Claude Monet
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Created:
1919
Medium:
Oil on canvas
Dimensions:
130.2 × 201.9 cm (51 1/2 × 79 1/2 in.); Framed: 147.4 × 218.5 × 9.9 cm (58 × 86 × 3 7/8 in.)
Key Notes:
Impressionistic Reflections, Lush Aquatic Flora
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Claude Monet's "Water Lily Pond" (1919)

Claude Monet, a pivotal figure in the Impressionist movement, created "Water Lily Pond" in 1919, employing oil on canvas to capture the serene beauty of his garden at Giverny. This work is part of a larger series that Monet dedicated to the theme of water lilies, which he painted extensively during the later years of his life. The painting exemplifies Monet's mastery in depicting the interplay of light and color, a hallmark of Impressionism that influenced countless artists and movements that followed. Monet's focus on the water lilies reflects his deep connection to nature and his desire to convey the ephemeral qualities of the natural world. The series, including this piece, is celebrated for its innovative approach to composition and abstraction, marking a significant evolution in Monet's artistic journey. Monet's work during this period laid the groundwork for modern art movements, such as Abstract Expressionism, by emphasizing the emotional resonance of color and form over representational accuracy.

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Christ Healing the Blind
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El Greco (Domenikos Theotokopoulos)
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Created:
1575
Movement:
Mannerism
Medium:
Oil on canvas
Dimensions:
47 x 57 1/2 in. (119.4 x 146.1 cm)
Key Notes:
Mannerist Composition, Dramatic Lighting
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Christ Healing the Blind by El Greco

Christ Healing the Blind, painted by El Greco in 1575, is an exemplary work of the artist's early period, showcasing his transition from the Byzantine tradition to the Western style. This oil on canvas piece reflects El Greco's mastery in blending Venetian colorism with Mannerist elongation of figures, a hallmark of his unique style. The painting illustrates a biblical scene with dramatic use of light and shadow, emphasizing the spiritual intensity of the moment. El Greco, born Domenikos Theotokopoulos in Crete, was profoundly influenced by his time in Venice and Rome before settling in Spain, where he developed his distinctive approach. His work significantly impacted the Spanish Renaissance and laid the groundwork for future Baroque artists. El Greco's innovative techniques and expressive compositions continue to be studied for their contribution to the evolution of European art.

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Christ Asleep during the Tempest
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Eugène Delacroix
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Created:
1853
Movement:
Romanticism
Medium:
Oil on canvas
Dimensions:
20 x 24 in. (50.8 x 61 cm)
Key Notes:
Dramatic seascape, Emotional intensity
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Christ Asleep during the Tempest by Eugène Delacroix

Christ Asleep during the Tempest, painted by Eugène Delacroix in 1853, is a significant work that exemplifies the artist's mastery of dramatic composition and emotional intensity. Delacroix, a leading figure of the Romantic movement, often explored themes of human struggle and divine intervention, as seen in this depiction of Christ amidst a storm. The painting's dynamic use of color and light reflects Delacroix's innovative approach to capturing movement and emotion on canvas. Historically, this work contributes to the Romantic era's emphasis on individual experience and the sublime power of nature. Delacroix's influence extended beyond his lifetime, impacting later artists such as the Impressionists, who admired his bold use of color and expressive brushwork. This painting remains a testament to Delacroix's ability to convey profound spiritual and emotional narratives through his art.

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Young Bull
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Albrecht Dürer
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Created:
c. 1496, erroneously inscribed in another hand 1508
Movement:
Renaissance
Medium:
Pen and black ink on ivory laid paper
Dimensions:
17.5 × 14 cm (6 15/16 × 5 9/16 in.)
Key Notes:
Detailed realism, Anatomical precision
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Young Bull by Albrecht Dürer

The Young Bull, created by Albrecht Dürer around 1496, is a notable example of his mastery in pen and black ink on ivory laid paper. Although the piece is erroneously inscribed with the date 1508 by another hand, it remains an important work in Dürer's oeuvre. Dürer, a pivotal figure of the Northern Renaissance, was renowned for his detailed and precise draftsmanship, which is evident in this depiction of a bull. The artwork reflects Dürer's keen observation of nature and his ability to render it with remarkable accuracy. This piece contributes to our understanding of Dürer's early exploration of animal subjects, which would later become a significant aspect of his artistic legacy. As a leading artist of his time, Dürer's works continue to influence and inspire the study of Renaissance art.

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