La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930)

"La Berceuse" is a painting by Vincent van Gogh created in 1889 during his stay at the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France. The work depicts Augustine-Alix Pellicot Roulin, the wife of postman Joseph Roulin, who was a frequent model for Van Gogh. The painting is characterized by its vibrant colors and expressive brushwork, typical of Van Gogh's style during this period. Van Gogh intended to convey a sense of calm and tenderness through the image of the woman rocking a cradle. The composition features a strong use of color contrast, particularly between the warm tones of the figure and the cooler background. "La Berceuse" is part of a series of works that reflect Van Gogh's fascination with the theme of motherhood and domesticity. The painting is currently held in the collection of the Museum of Modern Art in New York. The exact circumstances of its creation are not fully documented, but it is believed to have been painted shortly after Van Gogh's arrival at the asylum.

"La Berceuse" is an oil on canvas painting by Vincent van Gogh, created in 1889. The composition features a woman, identified as Augustine-Alix Pellicot Roulin, seated in a rocking chair, gently rocking a cradle. The figure is depicted in a vibrant palette, with bold brushstrokes that convey movement and emotion. The woman's face is rendered with a serene expression, framed by a dark shawl and a bright yellow dress that contrasts with the surrounding colors. The background consists of swirling patterns and colors, characteristic of Van Gogh's post-impressionist style, which enhances the sense of depth and dynamism. The use of color is expressive, with rich blues and greens juxtaposed against warm yellows and reds, creating a harmonious yet lively atmosphere. The painting exemplifies Van Gogh's interest in the themes of motherhood and domesticity, while also showcasing his innovative approach to form and color.