Master

"Bowl of Fruit" by Marsden Hartley is a still life painting that reflects the artist's engagement with modernist aesthetics and his exploration of form and color. Although the exact date of creation is unknown, the work exemplifies Hartley's interest in simplifying objects to their essential shapes and hues, a characteristic approach in his oeuvre during the early 20th century.

"Saint Sebastian (after a painting in the Galleria Corsini, Florence)" by Carlo Dolci is a notable example of 17th-century Baroque art, reflecting the artist's meticulous attention to detail and his ability to convey emotional depth through the depiction of religious subjects. The work is a reinterpretation of an earlier composition, showcasing Dolci's skill in enhancing the narrative of martyrdom while adhering to the stylistic conventions of his time, thus contributing to the broader discourse on the representation of saints in Baroque painting.

"Portrait of Lady Su Hui with a Palindrome," attributed to Guan Daosheng, is a significant work from the Yuan dynasty that reflects the intersection of art and literature in Chinese culture. The painting is notable for its depiction of Su Hui, a poet known for her innovative use of palindromic verse, thereby highlighting the intellectual and artistic achievements of women during this period.

Emanuel de Witte's painting "The Interior of the Nieuwe Kerk, Amsterdam, with a Sermon in Progress," created circa 1668, depicts the interior of the Nieuwe Kerk, a prominent Protestant church in Amsterdam, capturing the architectural details and the congregation engaged in a sermon. This work exemplifies de Witte's interest in light and space, as well as his ability to convey the social and religious dynamics of 17th-century Dutch society, reflecting the significance of Protestant worship during this period.

Giovanni Benedetto Castiglione, an Italian Baroque artist, is not known to have created a painting titled "The Creation of Adam." This title is most famously associated with Michelangelo's fresco on the ceiling of the Sistine Chapel, and there is no documented work by Castiglione under this name.

"David Linn Edsall (1869-1945)" is a portrait painted by Charles Sydney Hopkinson, an American artist known for his skill in capturing the likeness and character of his subjects. The work reflects the early 20th-century American portraiture style, emphasizing realism and the psychological depth of the sitter, who was a prominent figure in the medical field as a physician and educator.

"Experiment of the Bowl," painted by Pietro della Vecchia in the 17th century, depicts a scientific experiment involving a bowl and the principles of optics, reflecting the era's fascination with natural philosophy and empirical observation. The work exemplifies the intersection of art and science during the Baroque period, highlighting the artist's skill in rendering light and shadow while engaging with contemporary intellectual currents.

"Orchids," created by South Korean artist Cho Hŭi-ryong, exemplifies the traditional East Asian ink wash technique, reflecting the artist's deep engagement with nature and the philosophical underpinnings of Korean aesthetics. The painting has garnered attention for its delicate representation of orchids, symbolizing purity and refinement, and has contributed to the discourse on contemporary interpretations of traditional Korean art forms.

"Snowy Stream" (雪渓図) by Goshun (呉春), also known as Matsumura Gekkei (松村月渓), exemplifies the artist's mastery in depicting natural landscapes through the lens of the Nihonga style, characterized by the use of traditional materials and techniques. Created during the Edo period, this work reflects the aesthetic values of the time, emphasizing harmony with nature and the beauty of seasonal changes, thereby influencing subsequent generations of Japanese landscape artists.

"The Broom Tree (Hahakigi), Illustration to Chapter 2 of the Tale of Genji (Genji monogatari)" is a significant work by Tosa Mitsunobu, created in the late 15th century, which exemplifies the Yamato-e style of painting characterized by its vibrant colors and intricate detail. This illustration captures a pivotal moment in the narrative of the Tale of Genji, reflecting the cultural and aesthetic values of the Heian period, while also influencing subsequent Japanese art through its depiction of courtly life and emotional depth.

"Wisps of Cloud (Usugumo), Illustration to Chapter 19 of the Tale of Genji" is a significant work by Tosa Mitsunobu, created in the late 16th century, which exemplifies the classical Japanese painting style known as Yamato-e. This painting illustrates a pivotal moment in the narrative of "The Tale of Genji," reflecting the intricate relationship between text and image in Edo-period art, while also showcasing Mitsunobu's mastery of color and composition within the context of Japanese literary tradition.

"Wallace Brett Donham (1877-1954)" is a portrait painted by Charles Sydney Hopkinson, an American artist known for his work in the early 20th century. The painting reflects Hopkinson's skill in capturing the likeness and character of his subjects, contributing to the tradition of American portraiture during a period marked by a growing appreciation for individual identity and representation in art.

"Sketch for Woodland Scene at Dusk," created by Hans von Marées in the late 19th century, exemplifies the artist's interest in the interplay of light and nature, reflecting the influence of Romanticism and the Symbolist movement. This work serves as a preparatory study for a larger composition, showcasing von Marées' mastery of color and atmospheric effects, which significantly impacted the development of landscape painting in Germany during this period.

"George Santayana (1863-1952)" is a portrait painted by Denman Waldo Ross, an American artist known for his contributions to both painting and art education. The work reflects Ross's engagement with philosophical themes, as Santayana was a prominent philosopher and writer, and the painting serves to encapsulate the intellectual spirit of the early 20th century.

"Edward Waldo Forbes (1873-1969)" is a portrait painted by Pietro (Peter) Pezzati, an artist known for his contributions to American portraiture in the early to mid-20th century. The painting captures Forbes, a prominent art historian and director of the Fogg Art Museum, reflecting Pezzati's skill in rendering character and intellect through his use of color and composition, thereby contributing to the legacy of academic portraiture in the United States.

"Genre Scenes in Kyoto: Spring (Kanpu itteki: haru)" by Maruyama Ōkyo, created in the late 18th century, exemplifies the artist's mastery in depicting everyday life and seasonal changes in Kyoto through a naturalistic lens. This work is significant within the Maruyama-Shijō school, as it reflects the cultural shift towards realism and the appreciation of the Japanese landscape and its inhabitants during the Edo period.

"The Christ Child with the Infant Saint John the Baptist and Angels," painted by Frans Snyders in the early 17th century, exemplifies the Baroque style through its dynamic composition and vibrant use of color. The work reflects Snyders' collaboration with other artists, particularly Peter Paul Rubens, and underscores the thematic interplay of religious devotion and the celebration of childhood within the context of Flemish art.

"Bamboo" by Cho Hŭi-ryong, a prominent figure in Korean ink painting, exemplifies the artist's mastery of traditional brush techniques and his deep appreciation for nature. Created during the late 20th century, the work reflects the cultural significance of bamboo in East Asian art, symbolizing resilience and integrity, while also contributing to the contemporary discourse on the preservation of traditional artistic practices.

"Peace Descending to Earth," created by Pierre Andrieu in 1796, is a neoclassical painting that symbolizes the restoration of peace following the tumultuous period of the French Revolution. The work reflects the ideals of the Enlightenment and the desire for harmony, showcasing allegorical figures that embody peace and prosperity, thus serving as a visual commentary on the socio-political climate of late 18th-century France.

"Finger Painting of Lotus" by Zhang Lichen (張立辰) exemplifies the artist's innovative approach to traditional Chinese painting techniques, utilizing his fingers instead of brushes to create intricate depictions of lotus flowers. This work not only highlights the tactile nature of his artistic process but also reflects a contemporary reinterpretation of classical themes in Chinese art, emphasizing the connection between the artist and the medium.

"David Hoffman (1896-1918)" is a portrait by Irwin D. Hoffman that commemorates the life of David Hoffman, a soldier who served during World War I and died in combat. The painting reflects Hoffman's engagement with themes of sacrifice and remembrance, contributing to the broader narrative of American art during the early 20th century, particularly in relation to the impact of the war on society and individual identity.

"Virgil," painted by John La Farge in 1883, depicts the Roman poet Virgil in a contemplative pose, reflecting La Farge's interest in literary themes and the interplay of light and color. The work is significant for its innovative use of color and composition, which exemplifies La Farge's contributions to the American Aesthetic Movement and his mastery of the medium, particularly in the context of 19th-century American art.

"Vision of Saint William of Vercelli," painted by Domenico Antonio Vaccaro in the early 18th century, depicts the mystical experience of Saint William, the founder of the Benedictine order of Montevergine, who is shown receiving divine inspiration. This work exemplifies the Baroque style's dramatic use of light and color, reflecting the religious fervor of the period and contributing to the visual narrative of saintly visions in Neapolitan art.

"Man in Prayer" is a painting attributed to the Flemish artist Rogier van der Weyden, created around 1440. The work depicts a male figure in a posture of prayer, characterized by a solemn expression and detailed clothing. The identity of the sitter is unknown, and the painting is notable for its emotional intensity and meticulous attention to detail. Van der Weyden's use of light and shadow enhances the three-dimensionality of the figure, a hallmark of his style. The painting is often associated with the Northern Renaissance, reflecting the period's emphasis on realism and individual expression. It is currently housed in the collection of the Museo del Prado in Madrid. The work exemplifies van der Weyden's skill in portraiture and his ability to convey spiritual themes through visual art.

"Sarah Wyman Whitman (1842-1904)" is a portrait created by Helen Bigelow Merriman, an American artist known for her contributions to the Boston School of painting. The work reflects Merriman's engagement with the themes of female identity and the artistic community of her time, as Whitman was a prominent figure in the arts and crafts movement, influencing both design and decorative arts in the late 19th century.

"Zhang Yiniang Pinning Her Hair," created by the Chinese artist Hua Yan (1682–1756), exemplifies the Qing dynasty's emphasis on the beauty and grace of women, reflecting the cultural ideals of femininity during this period. The painting is notable for its intricate detail and use of color, showcasing Hua Yan's mastery in depicting both the subject's delicate features and the elaborate textures of her attire, thereby contributing to the genre of figure painting in Chinese art history.

"Landscape with Fisherman and Waterfall," created by the Ming dynasty artist Lan Ying (1585–1664), exemplifies the artist's mastery of the shan shui (mountain-water) genre, characterized by its intricate brushwork and harmonious composition. This painting reflects the cultural significance of nature in Chinese art, emphasizing the relationship between humanity and the natural world, while also showcasing Lan Ying's innovative approach to traditional landscape painting.

"Iris and Pinks (One of Twelve Album Leaves)" by Zhang Xiong, created during the late Ming dynasty, exemplifies the artist's mastery in the traditional Chinese genre of flower-and-bird painting. This work is part of a series that reflects the cultural significance of flora in Chinese art, symbolizing beauty and transience, while also showcasing Zhang's skillful brushwork and use of color.

"Twenty Scenes of Birds, Animals, Flowers and Fruiting Branches" is a notable work by the Edo period artist Hanabusa Itchō, who was active in the late 17th to early 18th centuries. This painting exemplifies Itchō's mastery of the ukiyo-e style, showcasing a harmonious integration of natural elements that reflects the aesthetic values of the time and his influence on subsequent generations of Japanese artists.

"Eight Views of Xiao Xiang," created by Kano Tanshin in the late 17th century, is a significant work that reflects the traditional Chinese theme of the Eight Views of Xiao Xiang, which celebrates the natural beauty of the Xiao and Xiang rivers in Hunan province. Tanshin's interpretation, characterized by his mastery of ink and color, exemplifies the fusion of Japanese and Chinese artistic traditions during the Edo period, influencing subsequent generations of artists in Japan.

"Landscape with Farmhouse," created by Jan van der Heyden in the late 17th century, exemplifies the Dutch Golden Age's emphasis on realism and attention to detail in landscape painting. The work reflects the artist's mastery of light and perspective, contributing to the genre's development and influencing subsequent landscape artists in the Netherlands and beyond.

"The Virgin and Child with Saint James Major," created by Andrea Previtali, also known as Il Cordeliaghi, exemplifies the artist's integration of Venetian influences and Lombard traditions during the early 16th century. This painting, characterized by its vibrant color palette and detailed figures, reflects the devotional practices of the time and highlights the significance of Saint James Major as a patron saint, particularly in the context of pilgrimage and religious veneration.

"H. Naylor Fitzhugh (1909-1992)" is a portrait created by American artist Charles Lilly, capturing the likeness of the prominent African American businessman and philanthropist H. Naylor Fitzhugh. The painting reflects Lilly's engagement with themes of identity and representation, contributing to the broader discourse on African American contributions to society during the late 20th century.

"A Man Laments the Passage of Time (Episode 4) from the 'Tales of Ise' (Ise monogatari)" is a work attributed to the Tosa School, a prominent group of Japanese painters active during the Edo period, known for their refined style and incorporation of classical themes. This painting illustrates a narrative from the 'Tales of Ise,' a classic collection of Japanese poetry and prose, emphasizing the themes of transience and the emotional weight of time, reflective of the broader cultural preoccupations of the period.

"A Gentleman," painted by James Peale in 1785, is a notable example of American portraiture that reflects the influence of European styles while emphasizing the emerging American identity. The work is characterized by its meticulous attention to detail and the use of naturalistic color, which contributed to Peale's reputation as a leading portraitist in early American art.

"Grapevine 'Dragon'" is a contemporary work by South Korean artist Cho Kwang-kuk, known for his exploration of traditional motifs through modern techniques. The painting reflects the artist's engagement with cultural symbolism, utilizing the dragon as a representation of power and auspiciousness in East Asian art, while the grapevine motif signifies abundance and fertility.

"Willow in Snow," created by the Edo period artist Ogata Kōrin, exemplifies the artist's mastery of the Rinpa school, characterized by its bold use of color and decorative patterns. The painting, which depicts a willow tree laden with snow, reflects Kōrin's innovative approach to nature and seasonal themes, significantly influencing Japanese aesthetics and later artists in the realm of modern art.

"Portrait of a Young Man," attributed to Agnolo Bronzino, was created in the mid-16th century and exemplifies the Mannerist style characterized by its sophisticated composition and meticulous detail. The painting is notable for its psychological depth and the use of rich colors, reflecting the cultural and artistic values of the Florentine court during the Renaissance, and it remains a significant work in the study of portraiture and the representation of youth in art.

"Moon, Gourds, and Insects" is a notable work by Sakai Hōitsu, a prominent Japanese painter of the Edo period, created in the early 19th century. This painting exemplifies the artist's mastery of the ukiyo-e style and his innovative approach to incorporating natural elements, reflecting the aesthetic principles of simplicity and harmony prevalent in Japanese art.

Sakai Hōitsu's "Pair of Paintings: Morning Glories (left) and Evening Glories (right)" exemplifies the Edo period's fascination with nature and seasonal change, showcasing the artist's mastery of the ukiyo-e style and his innovative approach to traditional subjects. Created in the early 19th century, these paintings reflect Hōitsu's commitment to the revival of the Rinpa school, emphasizing the aesthetic qualities of color, form, and composition through the depiction of flora.

"Landscape After Li Tang" (ca. 1070-ca. 1150) by Yun Shouping is a significant work that reflects the artist's engagement with the Southern Song dynasty's tradition of landscape painting, particularly the influence of the earlier Northern Song painter Li Tang. This painting exemplifies Yun's mastery of brushwork and composition, contributing to the evolution of Chinese landscape art and reinforcing the cultural appreciation for nature during the period.

"Maharana Bhim Singh of Mewar Ties His Turban," created by the artist Chokha, is a significant example of Rajput painting that reflects the cultural and political milieu of 18th-century India. The artwork not only captures the ceremonial act of turban-tying, symbolizing honor and identity, but also serves as a testament to the patronage of the Mewar royal family and the artistic traditions of the region.

"Full-Length Portrait of a Seated Young Man," created by Denman Waldo Ross in 1900, exemplifies the artist's engagement with portraiture and his interest in capturing the individuality of his subjects. The painting reflects Ross's academic training and his role as a prominent figure in the Boston art scene, contributing to the development of American art in the early 20th century.

"Landscape After Wu Zhen" by Yun Shouping, created in the 17th century, is a significant work that reflects the artist's engagement with the traditions of Chinese landscape painting, particularly the influence of the Yuan dynasty painter Wu Zhen. This painting exemplifies Yun's mastery of brushwork and composition, contributing to the revival of classical styles during the Ming-Qing transition and highlighting the enduring legacy of earlier masters in the evolution of Chinese art.

"Saint Paul," painted by Claude Vignon in the early 17th century, exemplifies the Baroque style through its dramatic use of light and shadow, as well as its emotive portrayal of the biblical figure. The work reflects Vignon's engagement with religious themes and his influence from Caravaggio, contributing to the development of French Baroque painting and the broader Counter-Reformation artistic movement.

"Diana on a Chase," painted by Washington Allston in 1813, depicts the Roman goddess of the hunt, Diana, in a dynamic pursuit, showcasing Allston's mastery of Romanticism and his interest in classical themes. The work reflects the artist's engagement with both American and European artistic traditions, contributing to the early 19th-century dialogue on nature, mythology, and the sublime in American art.

"Panther Springing out of a Tree" by Max Slevogt is an illustration for James Fenimore Cooper's novel "The Last of the Mohicans," capturing a dramatic moment from the narrative. Slevogt, a prominent German Impressionist, created this work as part of a series of illustrations for Cooper's adventure stories, reflecting his interest in dynamic movement and vivid storytelling.

"End-leaf from an Album with Two Seals of Isshi reading (upper) Bunshu and (lower)" is a work attributed to the Japanese artist Isshi Bunshu, known for his contributions to the Edo period's ukiyo-e genre. The painting exemplifies the artist's mastery in calligraphy and composition, reflecting the cultural significance of album leaves as both artistic and collectible objects in Japanese art history.

"Henry Pickering Walcott (1838-1932)" is a portrait painted by Charles Sydney Hopkinson, an American artist known for his contributions to portraiture in the early 20th century. The work reflects Hopkinson's skill in capturing the likeness and character of his subjects, contributing to the legacy of American portrait painting during a period marked by a growing appreciation for individual identity and personal narrative in art.

"Cranes," created by Kano Tsunenobu in the late 17th century, exemplifies the Kano school's distinctive style, characterized by its integration of traditional Japanese aesthetics with influences from Chinese painting. The work reflects the cultural significance of cranes in Japanese art, symbolizing longevity and good fortune, and showcases Tsunenobu's mastery in depicting natural subjects with a refined, elegant approach.