"Approaching Storm" is a painting by American artist Martin Johnson Heade, created in 1859. The artwork depicts a dramatic seascape with turbulent skies and churning waters, reflecting Heade's interest in the interplay of light and atmosphere. Heade was known for his ability to capture the effects of natural light, and this painting exemplifies his skill in rendering the emotional intensity of a storm. The composition features a dynamic contrast between the dark clouds and the illuminated sea, creating a sense of impending turmoil. Heade's work often explored themes of nature and its sublime qualities, and "Approaching Storm" is a notable example of his Romantic style. The painting is part of the collection at the Smithsonian American Art Museum. Specific details regarding its exhibition history or provenance are not widely documented.
1
Intermediate
"View of Ghent," painted by Jacques François Carabain in 1850, captures the picturesque landscape of the Belgian city, showcasing its architectural heritage and the interplay of light and water. Carabain, known for his detailed and atmospheric depictions of urban scenes, contributed to the 19th-century tradition of landscape painting, reflecting the Romantic interest in nature and the sublime.
"A Virgin," painted by Abbott Handerson Thayer of his 2 sons and daughter, exemplifies the artist's interest in idealized beauty and the representation of femininity, reflecting the aesthetic values of the American Renaissance. The work significantly impacted the Symbolist movement in America, influencing contemporary artists with its ethereal quality and emphasis on spiritual themes.
"Study of Rocks" by Gion Nankai, created in the early 18th century, exemplifies the artist's engagement with the natural world through meticulous observation and brushwork characteristic of the Edo period. This work reflects the broader cultural appreciation for nature in Japanese art, contributing to the development of landscape painting and influencing subsequent generations of artists in their representation of natural forms.
"Portrait of a Seated Boy," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with portraiture and his interest in capturing the psychological depth of his subjects. The painting is notable for its use of color and light, reflecting Ross's training in both American and European artistic traditions, and it contributes to the understanding of early 20th-century American portraiture.
Jan Provoost's "The Last Judgment," created circa 1520, is a significant example of Northern Renaissance art, reflecting the theological concerns of the period through its intricate composition and detailed iconography. The painting, housed in the Museo del Prado, Madrid, showcases Provoost's mastery of oil on panel, illustrating the dual themes of salvation and damnation, which were central to the religious discourse of the time.
"Jonathan Belcher (1681/82-1757)" is a portrait painted by Thomas Hudson, an English portraitist known for his work in the 18th century. The painting reflects Hudson's skill in capturing the likeness and status of prominent figures, as Belcher served as the Governor of New Jersey and Massachusetts, thereby highlighting the intersection of art and political identity during the colonial period.
"Detail: Devata, after stone relief at Angkor Wat" is a work by Joseph Lindon Smith, created in 1910, which reflects his engagement with Southeast Asian art and culture during his travels in Cambodia. The painting serves as a significant interpretation of the intricate stone reliefs found at Angkor Wat, highlighting the artist's commitment to preserving and disseminating the visual heritage of the Khmer civilization.
"The Mourner," painted by Jules-Joseph Lefebvre in 1880, depicts a grieving female figure draped in a flowing garment, embodying themes of loss and mourning. The work exemplifies the academic style prevalent in 19th-century French art, reflecting Lefebvre's mastery of realism and emotional expression, which contributed to his reputation as a prominent figure in the Parisian art scene of the time.
Tani Bunchō (1763–1840) created "Mount Fuji" during the Edo period, reflecting the influence of traditional Japanese landscape painting and the burgeoning interest in naturalism. This work exemplifies Bunchō's mastery of the "Nihonga" style, which integrates Western techniques while maintaining a distinctly Japanese aesthetic, contributing to the broader discourse on the representation of nature in Japanese art.
"Café Lafayette," painted by Albert E. Henselmann in 1925, captures the vibrant atmosphere of a Parisian café, reflecting the cultural milieu of the Roaring Twenties. The work is notable for its use of color and light, which evoke the lively social interactions characteristic of the era, and it contributes to the broader narrative of modernist art's engagement with urban life.
"Francis Calley Gray (1790-1856)" is a portrait painted by Francis Alexander in 1856, capturing the likeness of the prominent American artist and educator. The work is significant for its representation of Gray's contributions to the arts in the United States during the 19th century, reflecting the evolving role of portraiture in American society.
"Thomas Wren Ward (1786-1858)" is a portrait painted by American artist William Page, completed in 1852. The work exemplifies Page's skill in capturing the likeness and character of his subjects, reflecting the mid-19th century American portraiture style that emphasized both realism and the psychological depth of the sitter.
The portrait "George Hamilton Gordon, 4th Earl of Aberdeen (1784-1860)" was created by American artist Chester Harding in 1827, capturing the prominent British statesman during his tenure as Foreign Secretary. This work exemplifies Harding's skill in rendering the likeness and character of his subjects, contributing to the tradition of portraiture that emphasized both political stature and personal identity in the early 19th century.
"Composition with Five Figures," created by T. Lux Feininger in 1919, exemplifies the artist's exploration of abstraction and form, reflecting the influence of both Expressionism and Cubism. The painting is notable for its dynamic arrangement of figures, which conveys a sense of movement and interaction, contributing to Feininger's reputation as a significant figure in early 20th-century modernist art.
"Tunis Street Scene," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the vibrant colors and dynamic compositions characteristic of early 20th-century American Impressionism. The painting reflects Ross's experiences during his travels in North Africa, capturing the cultural and architectural elements of Tunis while contributing to the broader discourse on the influence of international travel on American art.
"An Idyll: A Mother and a Halberdier in a Wooded Landscape," attributed to Titian, reflects the artist's engagement with themes of love and pastoral beauty, showcasing a serene interaction between figures set against a lush natural backdrop. The painting, believed to have been created in the early 16th century, exemplifies Titian's mastery of color and composition, contributing significantly to the development of the Venetian Renaissance style.
"Edmond Renoir, Jr." is a portrait painted by Pierre-Auguste Renoir in 1883, depicting his son, who was born in 1871. This work exemplifies Renoir's mastery of color and light, reflecting the Impressionist movement's emphasis on capturing the essence of a moment and the intimate bond between parent and child.
"Image Scape #9," created by Jimmy Ernst in 1955, exemplifies the artist's exploration of abstract expressionism and his engagement with the interplay of color and form. The painting reflects Ernst's innovative approach to composition, influenced by his background in surrealism and his desire to evoke emotional responses through non-representational imagery.
"A Sea-Spell," painted by Dante Gabriel Rossetti in 1877, depicts a mystical encounter between a mermaid and a sailor, embodying themes of desire and the supernatural prevalent in Pre-Raphaelite art. The work reflects Rossetti's interest in medievalism and romanticism, showcasing his characteristic use of vibrant color and intricate detail, which contributed to the broader impact of the Pre-Raphaelite Brotherhood on 19th-century British art.
"Portrait of George Washington" by Gilbert Stuart, created in 1796, is one of the most iconic depictions of the first U.S. president, known as the "Athenaeum Portrait," which Stuart left unfinished to produce numerous replicas. This portrait served as the basis for the engraving on the United States one-dollar bill and is celebrated for its dignified representation of Washington, capturing his stoic demeanor and leadership qualities.
"Trees and Houses Near the Jas de Bouffan" is a landscape painting by French artist Paul Cézanne, created between 1885 and 1886. The work depicts a rural scene near Cézanne's family estate, Jas de Bouffan, located in Aix-en-Provence, France. This painting exemplifies Cézanne's innovative approach to composition and color, characterized by his use of geometric forms and a distinctive brushstroke technique. The artist often returned to this location, capturing its changing light and atmosphere in various works. The painting reflects Cézanne's interest in the relationship between nature and human habitation. It is part of the collection at the Musée d'Orsay in Paris. The exact circumstances of its creation and the specific influences on the work remain largely unknown.
"The Golden State Entering New York Harbor" is an oil on canvas painting created by American artist Fitz Henry Lane in 1854. The work depicts the clipper ship "Golden State" as it approaches New York Harbor, symbolizing the prosperity and maritime commerce of the mid-19th century. Lane, known for his detailed marine paintings, captures the interplay of light and water, showcasing his mastery of atmospheric effects. The painting reflects the growing importance of shipping and trade in the United States during this period. Lane's use of color and composition emphasizes the grandeur of the ship and the bustling harbor. The exact circumstances surrounding the commission or the specific inspiration for the painting remain unknown. Today, the artwork is part of the collection at the Museum of Fine Arts, Boston.
"Phaedra and Hippolytus," painted by Pierre-Narcisse Guérin in 1802, depicts the tragic moment from classical mythology where Phaedra confesses her forbidden love for her stepson Hippolytus, leading to dire consequences. The work exemplifies the neoclassical style, characterized by its emphasis on clarity, order, and moral themes, and reflects the influence of both ancient Greek drama and contemporary Romantic sensibilities in early 19th-century France.
"Nathaniel Southgate Shaler (1841-1906)" is a portrait painted by Joseph Rodefer DeCamp, completed in 1906, which captures the likeness of the prominent American geologist and educator. The work exemplifies DeCamp's mastery of color and light, reflecting the artist's affiliation with the Boston School and his commitment to portraying the intellectual gravitas of his subjects.
"Hilly Landscape with Path and Figure," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the Impressionist style, characterized by its vibrant color palette and loose brushwork. The painting reflects Ross's interest in the interplay of light and landscape, contributing to the broader discourse on American Impressionism during the early 20th century.
"Landscape with Cliff and Figure," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the American Impressionist movement, characterized by its vibrant color palette and dynamic brushwork. The painting reflects Ross's interest in the interplay between natural forms and human presence, contributing to the broader discourse on landscape representation in early 20th-century American art.
"Rockport, Massachusetts," painted by Hardesty Gilmore Maratta in 1890, exemplifies the American Impressionist movement, capturing the coastal landscape with a focus on light and color. Maratta's work reflects the influence of the Cape Ann School, highlighting the region's natural beauty and contributing to the broader narrative of American art in the late 19th century.
"Edgartown Landscape," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the Impressionist style, capturing the serene coastal scenery of Martha's Vineyard. The painting reflects Ross's commitment to color and light, contributing to the early 20th-century American art movement and showcasing the natural beauty of the region.
"Woman Harvesting Vegetables," created by Henri-Edmond Cross in 1895, exemplifies the artist's engagement with the Neo-Impressionist technique, characterized by the use of vibrant color and distinct brushwork. This work reflects the artist's interest in rural life and the harmony between humanity and nature, contributing to the broader movement of Post-Impressionism and influencing subsequent developments in modern art.
"Prancing White Horse" (白馬奔騰) is a notable work by the Japanese painter Nagasawa Rosetsu, created during the Edo period, specifically in the late 18th century. The painting exemplifies Rosetsu's mastery of ink and color, reflecting the influence of both traditional Japanese aesthetics and the emerging Western techniques of the time, and it has been recognized for its dynamic representation of movement and the symbolic significance of the white horse in Japanese culture.
"Apple Trees on a Hillside near Saint-Lô," painted by Jean-Baptiste-Camille Corot in 1865, exemplifies the artist's engagement with the landscape of Normandy, reflecting his interest in the interplay of light and nature. This work is significant within the context of the Barbizon School, as it demonstrates Corot's influence on the development of Impressionism through its emphasis on atmospheric effects and the depiction of rural life.
"Market Scene with Figures and Buildings," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the Impressionist style, characterized by its vibrant color palette and dynamic composition. The painting reflects Ross's interest in capturing everyday life and the social interactions within urban environments, contributing to the broader discourse on American art during the early 20th century.
"Bliss Perry (1860-1954)" is a portrait painted by Charles Sydney Hopkinson, an American artist known for his work in the early 20th century. The painting reflects Hopkinson's skill in capturing the likeness and character of his subjects, contributing to the tradition of American portraiture during a period marked by a growing emphasis on individual identity and expression.
"Summer Orange," created by Joan Snyder in 1975, exemplifies her signature style that integrates vibrant color and texture, reflecting her engagement with feminist themes and personal narratives. The painting is notable for its use of layered materials and expressive brushwork, which contribute to its dynamic visual impact and underscore Snyder's exploration of the relationship between nature and emotion.
"Portrait of a Seated Young Man, Head on Arms," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with modernist techniques and his exploration of psychological depth through portraiture. The painting reflects Ross's academic background and his role as a professor at Harvard University, where he influenced a generation of artists while also contributing to the American art scene through his own innovative works.
"Still Life with Game Birds," created by Jan Vonck in the late 17th century, exemplifies the Dutch Golden Age's fascination with still life painting, showcasing a meticulous arrangement of game birds alongside various natural elements. The work reflects the era's emphasis on realism and the symbolic representation of abundance and the transience of life, contributing to the genre's popularity and the broader art market of the time.
"Portrait of a Young Man in Suspenders," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with modernist techniques and his interest in capturing the individuality of his subjects. The painting reflects Ross's broader contributions to American art as both a painter and an educator, influencing the development of modern art in the United States during the early 20th century.
"Phebe Taylor Winthrop (Mrs. Francis Bayard Winthrop) (1765-1841)" is a portrait painted by John Trumbull in 1792, capturing the likeness of the prominent socialite and wife of Francis Bayard Winthrop. This work exemplifies Trumbull's neoclassical style and his focus on American subjects, contributing to the establishment of a national identity in early American art.
"La Porte d'Amont, Étretat" is a painting created by Claude Monet in 1883, depicting the iconic natural arch and cliffs of Étretat, a coastal town in Normandy, France. This work exemplifies Monet's interest in capturing the effects of light and atmosphere, contributing significantly to the Impressionist movement and influencing subsequent landscape painting.
Jan van de Cappelle, a Dutch Golden Age painter, is not known to have created a work titled "Winter Scene" in c. 1825, as he lived from 1626 to 1679. It is possible that there is a misattribution or confusion with another artist or artwork, as van de Cappelle was renowned for his marine and winter landscapes during the 17th century.
"Landscape with a Watermill," created by Crescenzio Onofri in the late 17th century, exemplifies the artist's engagement with the natural landscape and rural life, reflecting the Baroque interest in atmospheric effects and detailed realism. The painting is significant for its depiction of harmonious coexistence between human structures and nature, contributing to the broader discourse on landscape painting during this period.
"Mme. Norbert Roettiers (Winifred Clark)" is a portrait painted by Nicolas de Largillière in 1710, depicting the wife of the prominent goldsmith and engraver Norbert Roettiers. This work exemplifies Largillière's mastery in capturing the elegance and individuality of his subjects, contributing to the development of portraiture in 18th-century France.
"Paul Christoph Mangelsdorf (1899-1989)" is a portrait created by Blanche Ames Ames, an American artist known for her contributions to both painting and botanical illustration. The work reflects Ames's engagement with her subjects, capturing the essence of Mangelsdorf, a prominent figure in the field of plant genetics, and exemplifies her skill in blending realism with a deep appreciation for her subjects' intellectual contributions.
"Portrait of a Young Man with Hands Behind his Back," created by Denman Waldo Ross in 1910, exemplifies the artist's interest in capturing the psychological depth and individuality of his subjects through a modernist lens. The painting is significant for its innovative use of color and form, reflecting the broader trends of American art during the early 20th century, as well as Ross's role as an educator and advocate for the integration of modernist principles in art education.
"Landscape with Village and Bell Tower," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with Impressionist techniques and his interest in capturing the interplay of light and color in natural settings. The painting reflects Ross's broader contributions to American art as a professor at Harvard University, where he influenced a generation of artists and emphasized the importance of direct observation in landscape painting.
"Landscape in the Environs of Gournay-en-Bray," painted by Jean-Baptiste-Camille Corot in 1850, exemplifies the artist's mastery of capturing the interplay of light and atmosphere in rural landscapes, reflecting his deep engagement with nature. This work is significant within the context of the Barbizon School, as it illustrates Corot's influence on the development of Impressionism through its emphasis on plein air painting and the depiction of serene, pastoral scenes.
![Women of Color Bathing and a Voyeur [Mulatresses and Negro Woman Bathing]](https://cdn.prod.website-files.com/67002b7c038484c4a3b4c09e/670ab553409fb3d2ebc822e9_urn-3%3AHUAM%3ALEG281324.jpeg)
"Woman of Color Bathing and a Voyeur [Mulatresses and Negro Woman Bathing]" is an 18th-century painting by Agostino Brunias, an Italian artist known for his depictions of Caribbean life and the complexities of race and identity in colonial societies. The work illustrates the social dynamics of the time, highlighting the presence of women of African descent in a domestic setting while simultaneously addressing themes of voyeurism and the colonial gaze.
"Theodore R. Sizer (b. 1932)" is a portrait painted by Deane Keller, an American artist known for his contributions to realism and portraiture. The work reflects Keller's meticulous attention to detail and his ability to capture the essence of his subjects, contributing to the broader discourse on American portraiture in the mid-20th century.
"Hunting Dogs with Dead Hare" is a painting by French artist Gustave Courbet, created in 1857. The work depicts two hunting dogs with a dead hare, showcasing Courbet's interest in realism and the natural world. It reflects the artist's commitment to portraying everyday subjects with a focus on detail and texture. The painting is characterized by its rich color palette and dynamic composition, emphasizing the physicality of the animals and the hare. Courbet's choice of subject matter aligns with the 19th-century fascination with hunting and the relationship between humans and nature. The current location of the painting is unknown, and it is not part of any major public collection. The work exemplifies Courbet's innovative approach to realism, which would influence future generations of artists.
