Master

"Dragon and Tiger," created by Yokoyama Kazan in 1888, exemplifies the artist's mastery of traditional Japanese ink painting techniques while integrating Western influences. The work reflects the symbolic duality of strength and power, as the dragon represents the heavens and the tiger symbolizes the earth, showcasing Kazan's ability to convey complex themes through dynamic composition and meticulous detail.

"Skull Wearing a Wreath of Flowers," created by Thomas Satterwhite Noble in 1876, is a significant example of 19th-century American still life that juxtaposes the themes of mortality and beauty. The painting reflects the influence of the memento mori tradition, serving as a poignant reminder of the transience of life through the contrast of the skull and the vibrant floral arrangement.

"West Indian Girl," painted by Childe Hassam in 1893, depicts a young woman of Caribbean descent, showcasing the artist's interest in capturing the vibrancy of diverse cultures. This work is significant within Hassam's oeuvre as it reflects his engagement with themes of identity and the influence of Impressionism, while also contributing to the broader narrative of American art's exploration of multiculturalism during the late 19th century.

"Regent Hojo Tokiyori in Disguise," created by Hashimoto Gahō in 1897, depicts the historical figure Hojo Tokiyori, a prominent regent of the Kamakura period, in a moment of incognito observation of his subjects. This painting exemplifies Gahō's mastery of traditional Japanese painting techniques while reflecting the Meiji era's interest in historical narratives and the revival of classical themes in art.

"Man in Prayer" is a painting attributed to the Flemish artist Rogier van der Weyden, created around 1440. The work depicts a male figure in a posture of prayer, characterized by a solemn expression and detailed clothing. The identity of the sitter is unknown, and the painting is notable for its emotional intensity and meticulous attention to detail. Van der Weyden's use of light and shadow enhances the three-dimensionality of the figure, a hallmark of his style. The painting is often associated with the Northern Renaissance, reflecting the period's emphasis on realism and individual expression. It is currently housed in the collection of the Museo del Prado in Madrid. The work exemplifies van der Weyden's skill in portraiture and his ability to convey spiritual themes through visual art.

"Lover's Gift of a Chrysanthemum (Episode 18) from the 'Tales of Ise' (Ise monogatari)" is a work attributed to the Tosa School, a prominent group of Japanese painters known for their adherence to traditional Yamato-e styles. This painting illustrates a narrative episode from the classic Heian-period text, emphasizing themes of love and nature, and reflects the Tosa School's role in preserving and interpreting literary themes through visual art during the Edo period.

"The Broken Wall (Episode 5) from the 'Tales of Ise' (Ise monogatari)" is a significant work by the Tosa School, a group of Japanese painters active during the Edo period, known for their adherence to traditional Japanese painting techniques and themes. This painting illustrates a narrative episode from the classic Heian-era text, emphasizing the emotional depth and aesthetic qualities characteristic of Tosa School works, while also reflecting the cultural importance of literature in visual art during this period.

"The Imperial Progress (Miyuki), Illustration to Chapter 29 of the Tale of Genji (Genji monogatari)" is a significant work by Tosa Mitsunobu, created during the late Muromachi period in Japan, which reflects the cultural and artistic values of the time. This painting illustrates a pivotal moment in the classic literary work "The Tale of Genji," showcasing the intricate relationship between visual art and narrative literature in the Heian period, while also exemplifying the Tosa school’s distinctive style characterized by its use of vibrant colors and detailed brushwork.

"Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head" is a portrait by Washington Allston, an American Romantic painter known for his contributions to early American art and his exploration of light and color. The painting reflects Allston's engagement with both portraiture and allegorical themes, showcasing his skill in capturing the likeness and character of his subjects while also serving as a study for his broader artistic endeavors.

"Landscape with Murasaki Shikibu writing at Ishiyamadera" is a notable work by Tosa Mitsuoki, created in the 17th century, which illustrates the legendary figure Murasaki Shikibu composing "The Tale of Genji" at Ishiyamadera temple. This painting serves as a frontispiece to an album containing 54 illustrations and calligraphic excerpts from the classic text, reflecting the Edo period's reverence for classical literature and the integration of visual art with literary themes.

"Lady Hamilton as Tragedy," painted by George Romney in 1782, depicts Emma Hamilton, the muse and mistress of Admiral Horatio Nelson, in a dramatic pose that embodies the classical concept of tragedy. This work exemplifies Romney's skill in portraying the emotional depth of his subjects and reflects the cultural fascination with the theatricality of life during the late 18th century, contributing to the broader narrative of portraiture and celebrity in British art.

"Composition with Turbine," created by Carl Grossberg in 1920, exemplifies the artist's engagement with the principles of abstraction and the dynamic interplay of form and color characteristic of the early 20th-century avant-garde movements. The painting reflects the influence of industrialization and modernity, showcasing Grossberg's innovative approach to composition and his exploration of the relationship between technology and artistic expression.

"Robert Higgins Ebert (1914-1996)" is a portrait created by artist Pietro (Peter) Pezzati, known for his ability to capture the essence of his subjects through expressive brushwork and color. The painting reflects Pezzati's engagement with the themes of identity and memory, serving as a tribute to Ebert's life and contributions, while also exemplifying the artist's distinctive style during the late 20th century.

The painting titled "Crispin" by Gérard Edelinck, after Theodorus Netscher, is an engraving that reflects the collaborative practices of the 17th and 18th centuries, where engravers reproduced works of painters to reach a broader audience. Edelinck, a prominent engraver of his time, translated Netscher's work into print, showcasing the interplay between French and Dutch artistic traditions during this period.

"Charles Burnham Porter (1840-1909)" is a portrait painted by Frederic Porter Vinton, an American artist known for his contributions to portraiture in the late 19th and early 20th centuries. The painting reflects Vinton's skill in capturing the likeness and character of his subjects, contributing to the historical documentation of prominent figures in American society during that era.

"Raphael and the Fornarina," painted by Jean-Auguste-Dominique Ingres in 1814, depicts the renowned Renaissance artist Raphael alongside his muse, the Fornarina, symbolizing the intersection of artistic genius and romantic inspiration. This work exemplifies Ingres's neoclassical style, characterized by its emphasis on line, idealized forms, and a harmonious composition, while also reflecting the artist's fascination with the themes of beauty and the artist's role in society.

"A Bacchanalian Procession" by Nicolas-François Chifflart, a 19th-century French artist, exemplifies the Romantic fascination with classical themes, depicting a lively scene inspired by Bacchic revelry. The painting reflects Chifflart's skill in dynamic composition and his ability to capture the exuberance of mythological subjects, contributing to the broader Romantic movement's engagement with antiquity and emotional expression.

"Koyurugi Beach of Sagami Province" is a woodblock print created by Utagawa Hiroshige in the 19th century, specifically in 1858. It is part of the series "Fifty-three Stations of the Tōkaidō," which depicts various landscapes and scenes along the Tōkaidō road, a major route connecting Edo (modern Tokyo) and Kyoto. Hiroshige is known for his innovative use of color and perspective, which contributed to the development of ukiyo-e, a genre of Japanese art. The print captures the serene beauty of Koyurugi Beach, showcasing the natural landscape and the interaction of people with their environment. Hiroshige's work reflects the Edo period's appreciation for nature and the changing seasons. The exact inspiration for this specific print is unknown, but it exemplifies the artist's mastery in portraying atmospheric effects and the subtleties of light. The print remains a significant example of Japanese woodblock printing and continues to influence artists worldwide.

"Negro in a Punt in a Landscape," painted by George Inness in 1880, depicts a serene landscape featuring a Black man in a small boat, reflecting Inness's interest in the interplay between humanity and nature. The work is significant within the context of American art as it illustrates the evolving representation of African American figures in landscape painting during the late 19th century, moving beyond stereotypes to present a more nuanced portrayal.

"Self-Portrait with an Easel," created by Nicolas Régnier around 1625, exemplifies the artist's engagement with the Baroque style and his exploration of self-representation. The painting not only reflects Régnier's technical skill and use of chiaroscuro but also serves as a testament to the role of the artist in society during the early 17th century, highlighting the significance of individual identity in the context of artistic practice.

"Monkeys in Landscape" by Gao Qipei (高其佩), created during the Qing Dynasty, exemplifies the artist's mastery in blending traditional Chinese ink painting techniques with a focus on naturalistic representation. The work reflects the cultural significance of monkeys in Chinese art, symbolizing intelligence and playfulness, while also showcasing Gao's innovative approach to composition and brushwork, contributing to the evolution of landscape painting in the period.

"John Trowbridge (1843-1923)" is a portrait painted by Denman Waldo Ross, an American artist known for his contributions to both painting and education in the arts. The work reflects Ross's engagement with prominent figures of his time, capturing Trowbridge, a notable author and physicist, and exemplifying the artist's skill in rendering character and personality through portraiture.

"Venus Mourning the Death of Adonis," painted by Bartholomeus Breenbergh in the early 17th century, depicts the mythological scene of Venus lamenting the death of her lover, Adonis, a narrative rooted in Ovid's "Metamorphoses." This work exemplifies the influence of classical themes in Dutch Golden Age painting, showcasing Breenbergh's skill in integrating dramatic emotion with a rich, naturalistic landscape.

"Portrait of Lu Zhi," created by Weng Fanggang in the 18th century, depicts the renowned Chinese poet and scholar Lu Zhi, known for his contributions to literature during the Tang dynasty. This work exemplifies the Qing dynasty's revival of interest in classical figures, reflecting both the artistic techniques of the period and the cultural significance of literary heritage in Chinese society.

"Writing Practice (Tenarai), Illustration to Chapter 53 of the Tale of Genji (Genji monogatari)" is a work by Tosa Mitsunobu, a prominent Japanese painter of the late Muromachi period, known for his mastery in the Yamato-e style. This painting illustrates a scene from the classic literary work "The Tale of Genji," highlighting the cultural significance of calligraphy and the aesthetic values of the Heian period, while also reflecting the intricate relationship between visual art and literature in Japanese history.

"Scholar's Rock" by Liu Dan, created in 2010, exemplifies the artist's mastery of traditional Chinese ink painting techniques while integrating contemporary themes. The work reflects the cultural significance of scholar's rocks in Chinese aesthetics, symbolizing nature's beauty and the philosophical contemplation of the natural world.

"Andrew William Mellon (1855-1937), after Birley" by Casimir Gregory Stapko is a posthumous portrait of the American banker, industrialist, and philanthropist Andrew Mellon, originally depicted by the British artist Sir Oswald Birley. This work reflects Stapko's engagement with the legacy of Mellon, whose contributions to the arts and the establishment of cultural institutions, including the National Gallery of Art in Washington, D.C., have had a lasting impact on American cultural heritage.

"Experiment of the Bowl," painted by Pietro della Vecchia in the 17th century, depicts a scientific experiment involving a bowl and the principles of optics, reflecting the era's fascination with natural philosophy and empirical observation. The work exemplifies the intersection of art and science during the Baroque period, highlighting the artist's skill in rendering light and shadow while engaging with contemporary intellectual currents.

There appears to be a confusion in the attribution and details provided, as Jacques Villon, born Gaston Duchamp, was a French painter and printmaker active from 1875 to 1963, but there is no widely recognized painting titled "Globes" attributed to him. Jacques Villon is known for his contributions to Cubism and his involvement with the Puteaux Group, and any specific work should be verified through credible art historical sources or museum collections.

"Portrait of a Young Man with White Scarf and Headband," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with modernist techniques and his interest in portraiture as a means of psychological exploration. The painting is notable for its vibrant color palette and expressive brushwork, reflecting Ross's influence from both American Impressionism and European avant-garde movements.

"Study for 'Blossoms'" by Albert Joseph Moore, created in 1890, exemplifies the artist's interest in the interplay of color and form, reflecting the aesthetic movement's emphasis on beauty and decorative qualities. This work served as a preparatory study for his larger painting "Blossoms," which showcases Moore's mastery in depicting the female figure amidst floral motifs, highlighting his commitment to the ideals of harmony and elegance in art.

Giovanni Benedetto Castiglione, an Italian Baroque artist, is not known to have created a painting titled "The Creation of Adam." This title is most famously associated with Michelangelo's fresco on the ceiling of the Sistine Chapel, and there is no documented work by Castiglione under this name.

"Falling Flowers (Hanachirusato), Illustration to Chapter 11 of the Tale of Genji (Genji monogatari)" is a significant work by Tosa Mitsunobu, created in the late 16th century, which exemplifies the Tosa school’s distinctive style that merges traditional Japanese aesthetics with narrative depth. This painting illustrates the themes of transience and beauty found in the classic literary work "The Tale of Genji," reflecting the cultural and artistic values of the Heian period while influencing subsequent interpretations of the text in visual art.

"Benjamin Franklin (1706-1790)" is a portrait painted by Robert Feke in 1765, capturing the prominent American statesman and inventor during a pivotal period in his life. The work is significant for its role in establishing Franklin's public image and reflects the growing importance of portraiture in American society as a means of conveying status and influence.

"Thomas Hollis V (1720-1774)" is a portrait painted by Richard Wilson, a prominent Welsh landscape painter, in the mid-18th century. The work reflects the influence of the Grand Tour on British art, as Hollis was a notable patron of the arts and a supporter of the Enlightenment, contributing to the cultural landscape of his time.

"Wagtail on a Branch," created by the Korean artist Cho Sok (also known as Jo Sok) during the late 18th century, exemplifies the traditional Korean genre of bird-and-flower painting, known as "hwa-in." This work reflects the artist's meticulous attention to detail and his ability to convey the harmony between nature and the aesthetic principles of Korean art, contributing to the cultural appreciation of avian subjects in East Asian painting.

"Wisps of Cloud (Usugumo), Illustration to Chapter 19 of the Tale of Genji" is a significant work by Tosa Mitsunobu, created in the late 16th century, which exemplifies the classical Japanese painting style known as Yamato-e. This painting illustrates a pivotal moment in the narrative of "The Tale of Genji," reflecting the intricate relationship between text and image in Edo-period art, while also showcasing Mitsunobu's mastery of color and composition within the context of Japanese literary tradition.

"Head of a Woman," attributed to Pieter Bruegel the Elder, is a notable work from the Northern Renaissance, characterized by its detailed depiction of a woman's face, reflecting Bruegel's interest in human expression and character. The painting, executed in the mid-16th century, exemplifies Bruegel's mastery of form and texture, contributing to the broader discourse on portraiture and the representation of individual identity during this period.

"Joseph Randolph Coolidge (1828-1925)" is a portrait painted by Swedish artist Anders Leonard Zorn in 1896, capturing the American diplomat and art collector in a moment of introspection. The work exemplifies Zorn's mastery of light and texture, reflecting both the subject's character and the artist's ability to convey the social status of his sitters during the Gilded Age.

The painting titled "Jeronimo de Bran" is a work by Lucas Emil Vorsterman, a Flemish engraver, after an original by the Dutch artist Jan Lievens. Vorsterman's rendition is part of a tradition of reproducing and disseminating the works of prominent artists of the time, reflecting the collaborative and interpretative practices between painters and engravers in the 17th century.

"Christ on the Cross" is a painting attributed to Cecco del Caravaggio, also known as Francesco Buoneri, created around 1615–20. Cecco del Caravaggio was a follower of Caravaggio and is known for his dramatic use of light and shadow, as well as his realistic portrayal of subjects. The painting depicts the crucified Christ, emphasizing the emotional and physical suffering of the figure. The composition reflects the influence of Caravaggio's tenebrism, with stark contrasts between light and dark. The work is characterized by its naturalism and attention to detail, typical of the Baroque style. The exact provenance of the painting is not well-documented, and its current location is unknown. The painting is significant for its exploration of religious themes and its connection to the broader context of Caravaggism in early 17th-century art.

"One of Six Views of Atsugi," created by Watanabe Kazan in 1857, is part of a series that reflects the artist's engagement with the natural landscape of Japan, specifically the Atsugi region. This work exemplifies Kazan's mastery of the ukiyo-e style, blending traditional techniques with a focus on the interplay between nature and human presence, thereby contributing to the broader discourse on landscape representation in Edo-period art.

"Landscape in the Manner of Mi Fei" by Okada Hankō, created in the early 20th century, exemplifies the artist's engagement with traditional Chinese landscape painting techniques while integrating elements of Japanese aesthetics. This work reflects the broader Meiji period interest in cross-cultural exchange and the revival of classical styles, contributing to the discourse on modernity in Japanese art.

"Mouse and Vegetables," created by Wang Yiting in the early 20th century, exemplifies the artist's mastery of traditional Chinese ink painting techniques while incorporating Western influences. The work reflects themes of nature and domesticity, showcasing Wang's ability to blend cultural elements and his impact on the modernization of Chinese art during a period of significant social and artistic transformation.

"Raja Balwant Singh's Hunt," created by the artist Nainsukh in the 18th century, exemplifies the Pahari style of painting, characterized by its intricate detail and vibrant colors. This work not only reflects the cultural and social milieu of the time, showcasing the royal patronage of hunting as a symbol of power and prestige, but also highlights Nainsukh's innovative approach to narrative and composition within Indian miniature art.

"Emmanuel Joseph Sieyès (1748-1836)" is a portrait by Jacques-Louis David, created in 1803, which captures the prominent French clergyman and political theorist known for his influential role during the French Revolution. The painting exemplifies David's neoclassical style and serves as a testament to Sieyès' intellectual impact, particularly his advocacy for the Third Estate and the principles of republicanism.

"After the Bullfight" by Mary Cassatt is a painting that reflects her interest in capturing contemporary life and social scenes, though specific details about its creation, including the exact date, remain unclear. Cassatt, known for her depictions of women and children, often explored themes of leisure and social interaction, which may be reflected in this work's subject matter.

"Landscape around Ishiyamadera and Lake Biwa" is a significant work by Tosa Mitsuoki, created in the 17th century as part of an album that features 54 illustrations and calligraphic excerpts from the classic Japanese literary work, the "Tale of Genji." This painting exemplifies Mitsuoki's mastery of the Tosa school style, blending traditional Japanese aesthetics with a nuanced representation of the natural landscape, thereby enhancing the cultural and literary context of the "Tale of Genji."

"Mountain Stream in Heavy Rain" is a notable work by Goshun (Matsumura Gekkei), a prominent Japanese painter of the late Edo period, known for his contributions to the Nihonga style. The painting exemplifies Goshun's mastery of capturing natural landscapes and atmospheric effects, reflecting the influence of traditional Chinese landscape painting while also showcasing his unique interpretation of the Japanese environment.

"George Frisbie Hoar (1826-1904)" is a portrait painted by Frederic Porter Vinton, completed in 1904, which captures the likeness of the prominent American politician and senator from Massachusetts. The work is significant not only for its representation of Hoar, a key figure in the Republican Party and advocate for civil rights, but also for Vinton's skillful use of color and composition, reflecting the artistic trends of the early 20th century.