Intermediate

The painting "Cecil Kent Drinker (1887-1956)" by Pietro (Peter) Pezzati is a portrait that reflects the artist's engagement with prominent figures in the scientific community, specifically Drinker, an influential American physiologist known for his work in respiratory physiology. Pezzati's portrayal contributes to the historical documentation of 20th-century scientific advancements and the individuals who shaped them, highlighting the intersection of art and science during this period.

"Untitled Abstract" by Alan Davie, created in 1957, exemplifies the artist's engagement with abstract expressionism and his interest in spontaneous, gestural painting. The work reflects Davie's exploration of color, form, and symbolism, contributing to the post-war art movement and influencing subsequent generations of abstract artists.

"Portrait of a Young Boy in a Black Hat," created by Denman Waldo Ross in 1903, exemplifies the artist's interest in capturing the innocence and individuality of childhood through a direct and intimate portrayal. The painting is significant within Ross's oeuvre as it reflects his mastery of color and form, contributing to the broader discourse on American portraiture in the early 20th century.

"Virgin and Child with the Magi," created by William Valentine Schevill in 1910, exemplifies the artist's engagement with traditional religious themes through a modern lens. The painting reflects the influence of early 20th-century American art movements, emphasizing both the emotional resonance of the figures and the intricate detailing characteristic of Schevill's work.

"The Light of the 'Smudge' and After Sunset Glow: Row Song at Chateaugay" is a notable work by American artist Abbott Handerson Thayer, created in 1910, which reflects his interest in the interplay of light and nature, particularly in the context of the Adirondack region of New York. Thayer's painting exemplifies his innovative approach to color and atmospheric effects, contributing to the broader American Impressionist movement and highlighting his commitment to capturing the ephemeral qualities of natural landscapes.

"Landscape with Tobias and the Angel," created by Giovanni Battista Viola in the early 17th century, depicts the biblical narrative of Tobias, accompanied by the angel Raphael, as they journey to retrieve Tobias's father's money. This work exemplifies Viola's mastery in landscape painting and his ability to integrate narrative elements within a naturalistic setting, reflecting the broader Baroque interest in the interplay between human figures and their environment.

"Miss Alice Kurtz," painted by Thomas Cowperthwait Eakins in 1891, depicts the young daughter of a prominent Philadelphia family, showcasing Eakins' mastery in capturing the psychological depth and individuality of his subjects. The work is significant for its realistic portrayal and the artist's innovative use of light and shadow, reflecting Eakins' commitment to realism and his influence on American portraiture.

"Genre Scenes in Kyoto: Autumn (Kanpu itteki: aki)" is a notable work by Maruyama Ōkyo, a prominent Japanese painter of the Edo period, recognized for his contributions to the development of realistic representation in Japanese art. This painting exemplifies Ōkyo's mastery of the Maruyama-Shijō school style, blending traditional Japanese aesthetics with a keen observation of nature and daily life, thereby influencing subsequent generations of artists in the portrayal of seasonal themes and everyday scenes.

"America Windows" is a series of stained glass windows created by Marc Chagall in 1977. Commissioned by the Art Institute of Chicago, the work was intended to celebrate the American Bicentennial. The windows feature vibrant colors and abstract forms, reflecting Chagall's signature style that combines elements of Jewish folklore and personal symbolism. The central themes of the windows include freedom, hope, and the immigrant experience, resonating with Chagall's own background as a Jewish émigré. The installation consists of four large panels, each depicting various motifs, including the Statue of Liberty and references to American culture. "America Windows" was unveiled in 1977 and remains a significant example of Chagall's contribution to modern stained glass art. The work is notable for its integration of light and color, creating a dynamic interplay between the interior space and the exterior environment.

Jan van de Cappelle, a Dutch Golden Age painter, is not known to have created a work titled "Winter Scene" in c. 1825, as he lived from 1626 to 1679. It is possible that there is a misattribution or confusion with another artist or artwork, as van de Cappelle was renowned for his marine and winter landscapes during the 17th century.

"John Albion Andrew (1818-1867)" is a portrait painted by Darius Cobb in 1866, depicting the prominent abolitionist and Governor of Massachusetts during the Civil War. The work reflects Cobb's skill in capturing the likeness and character of his subjects, contributing to the historical narrative of Andrew's leadership and advocacy for emancipation during a pivotal period in American history.

"Full Length Portrait of Seated Young Man," created by Denman Waldo Ross in 1900, exemplifies the artist's engagement with portraiture and his interest in capturing the individuality of his subjects. The painting reflects Ross's academic training and his role as a prominent figure in the Boston art community, influencing both his contemporaries and future generations of artists.

"Édouard Manet" is a painting by Henri Fantin-Latour, created in 1867. The work is a portrait of the influential French painter Édouard Manet, who was a pivotal figure in the transition from Realism to Impressionism. Fantin-Latour, a contemporary and friend of Manet, sought to capture the essence of his subject through a direct and intimate representation. The painting is characterized by its use of rich colors and a focus on the figure of Manet, who is depicted in a contemplative pose, surrounded by a dark background that emphasizes his presence. This work reflects the mutual respect and admiration between the two artists, as well as the broader artistic movements of the time. The painting is part of the collection at the Musée d'Orsay in Paris, which houses a significant number of works from the 19th century.

"Landscape with Cabin," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the American landscape tradition, reflecting his interest in color and form. The painting is significant for its integration of Impressionist techniques, which contributed to the broader discourse on American art during the early 20th century, particularly in the context of the Boston School.

"Half-length Seated Nude Youth," created by Denman Waldo Ross in 1905, exemplifies the artist's exploration of the human form and his interest in the interplay of light and shadow. The painting reflects Ross's academic training and his engagement with contemporary artistic movements, contributing to the discourse on American art in the early 20th century.

"Farm Landscape with Mountains," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the American landscape tradition, characterized by its vibrant color palette and expressive brushwork. The painting reflects Ross's interest in the interplay between natural forms and the emotional resonance of rural settings, contributing to the broader discourse on American Impressionism during the early 20th century.

"Margaret Gibbs Appleton (Mrs. Nathaniel Appleton) (1699-1771)" is a portrait by John Singleton Copley, created in 1763, which exemplifies the artist's skill in capturing the individuality and social status of his subjects through meticulous detail and rich color. The painting not only reflects the cultural values of 18th-century colonial America but also solidified Copley's reputation as a leading portraitist of his time, contributing to the development of American art.

"Landscape with Trees and Figures," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the American Impressionist movement, characterized by its vibrant color palette and loose brushwork. The painting reflects Ross's interest in the interplay of light and nature, contributing to the broader discourse on landscape representation in early 20th-century American art.

"College Yard: A View of the Colleges Taken Near the Craigie Bridge," painted by Alvan Fisher in 1830, depicts the academic institutions of Harvard University, showcasing the picturesque landscape and architectural features of the campus. This work reflects the early 19th-century American Romantic movement, emphasizing the harmony between nature and education, and it contributes to the visual documentation of American higher education during a period of significant growth and development.

"The Dissolute Household" is a painting by Dutch artist Jan Steen, created around 1663–64. The work is characterized by its lively depiction of a chaotic domestic scene, illustrating the consequences of a disordered household. It features a variety of figures engaged in activities that suggest moral decay, including drinking and neglecting responsibilities. The composition is rich in detail, with various objects and characters contributing to the narrative of disorder. Jan Steen often used such scenes to convey moral lessons, reflecting the societal values of his time. The painting is notable for its vibrant colors and dynamic arrangement, typical of Steen's style. It is currently housed in the collection of the Rijksmuseum in Amsterdam. The exact provenance of the painting prior to its acquisition by the museum is not well-documented.

"John Ruskin (1819-1900)" is a portrait painted by Charles Herbert Moore, completed in 1882, which captures the influential art critic and social thinker in a contemplative pose, reflecting his intellectual gravitas. The painting is significant not only for its artistic merit but also for its role in commemorating Ruskin's contributions to art criticism and his advocacy for the Pre-Raphaelite movement, thereby influencing the trajectory of 19th-century British art.

"Landscape with Tree and Stream," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with the American Impressionist movement, characterized by its vibrant color palette and loose brushwork. The painting reflects Ross's interest in capturing the interplay of light and nature, contributing to the broader discourse on landscape representation in early 20th-century American art.

"Man with a Pipe" is a painting by Pablo Picasso, created during his early career, specifically in 1911. This work is associated with the Synthetic Cubism movement, which Picasso co-developed alongside Georges Braque. The painting features a male figure depicted with geometric shapes and a limited color palette, emphasizing form over realistic representation. The subject is often interpreted as a reflection of the artist's exploration of identity and the human figure. The use of fragmented forms and overlapping planes is characteristic of Picasso's innovative approach during this period. "Man with a Pipe" exemplifies the transition from the earlier phases of Cubism to a more abstract interpretation of subjects. The painting is part of the collection at the Museum of Modern Art in New York.

"Christ Crowned with Thorns," attributed to Aert Mytens, is a significant work from the 17th century that reflects the Baroque interest in religious themes and emotional expression. The painting exemplifies the artist's skill in rendering human emotion and detail, contributing to the broader discourse on the representation of Christ's suffering in Northern European art during this period.

"John Warren (1753-1815), after Rembrandt Peale" is a portrait created by Mary Brewster Hazelton, an American artist known for her work in the late 19th and early 20th centuries. This painting reflects Hazelton's engagement with historical figures and her ability to reinterpret classical portraiture, contributing to the understanding of American identity and the legacy of portrait painting in the context of early American history.

"Portrait of a Standing Young Man with Oranges and Lemons," created by Denman Waldo Ross in 1910, exemplifies the artist's engagement with color and form, reflecting the influence of both Impressionism and Post-Impressionism. The painting is notable for its vibrant palette and the incorporation of still life elements, which serve to enhance the subject's presence and contribute to the overall composition.

"Study for 'Charles I Demanding Impeachment of Five Members of The House of Commons'" is a preparatory work created by John Singleton Copley in 1792, which reflects the artist's engagement with historical themes and the political tensions of the English Civil War. This painting serves as a significant commentary on authority and governance, illustrating the moment when King Charles I confronted Parliament, and it highlights Copley's skill in composition and dramatic narrative within the context of 18th-century American art.

"George Herbert Palmer (1842-1933)" is a portrait painted by Charles Sydney Hopkinson, an American artist known for his skill in capturing the likeness and character of his subjects. The work reflects Hopkinson's mastery of color and form, contributing to the tradition of American portraiture in the early 20th century, while also highlighting Palmer's significance as an educator and philosopher in the context of Harvard University.

William Page's portrait "Catharine Jane Eliot Norton (Mrs. Andrews Norton) (1793-1879)" exemplifies the artist's skill in capturing the character and social status of his subjects through a refined and intimate representation. Painted in the mid-19th century, this work reflects the cultural and intellectual milieu of the time, as Mrs. Norton was a prominent figure in literary and social reform circles, contributing to the discourse on women's rights and education.

"Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain" is a painting by American artist James McNeill Whistler, created in 1876 and reworked in 1885. The work depicts the actor Sir Henry Irving in costume as the Spanish king Philip II, a role he portrayed in the play "Charles I." Whistler was known for his innovative use of color and composition, and this painting exemplifies his interest in the interplay of light and dark. The painting is characterized by its limited color palette, predominantly featuring shades of black and gray, which emphasizes the subject's solemnity. Whistler's relationship with Irving was significant, as the two were friends and collaborators, with Irving serving as a muse for Whistler's artistic explorations. The painting is part of a series of works by Whistler that focus on the theme of arrangement, reflecting his belief in the importance of aesthetic harmony. The current location of the painting is the collection of the Tate in London.

"Susanna and the Elders," painted by Carlo Antonio Procaccini in the early 17th century, depicts the biblical narrative of Susanna, who is confronted by two elders while bathing, highlighting themes of virtue and temptation. This work exemplifies the Baroque style through its dramatic use of light and shadow, as well as its emotional intensity, reflecting the broader cultural and artistic movements of the period in Italy.

"George Lyman Kittredge (1860-1941)" is a portrait painted by Charles Sydney Hopkinson, completed in 1925, which depicts the prominent American scholar and professor of English at Harvard University. The work exemplifies Hopkinson's mastery in capturing the essence of his subjects, contributing to the tradition of academic portraiture in the early 20th century and reflecting Kittredge's significant influence in the field of literary studies.

"View of the Seine, Lavacourt," painted by Claude Monet in 1880, depicts a serene landscape along the Seine River, showcasing the artist's innovative use of light and color characteristic of Impressionism. This work reflects Monet's fascination with the effects of natural light on the landscape and his commitment to capturing fleeting moments in nature, contributing significantly to the development of modern art.

"Eliphalet Pearson (1752-1826), after Samuel F.B. Morse" is a portrait created by James Frothingham, reflecting the artistic style and techniques of early 19th-century American portraiture. The painting serves as a significant representation of Pearson, a prominent educator and the first president of Harvard's Lawrence Scientific School, highlighting the cultural and intellectual milieu of the period.

"Interior" by Azuma Norio, created in 1995, exemplifies the artist's exploration of domestic spaces and their psychological implications, reflecting contemporary Japanese society's relationship with urban living. The painting has been noted for its meticulous attention to detail and use of light, contributing to discussions on the intersection of space, identity, and memory in modern art.

"Abbott Lawrence Lowell (1856-1943)" is a portrait painted by Charles Sydney Hopkinson, completed in 1924, which captures the likeness of the prominent American educator and Harvard University president. The work is notable for its representation of Lowell's intellectual gravitas and has been recognized for its contribution to the tradition of academic portraiture in the early 20th century.

"Mauritania," created by Jean Michel Atlan in 1948, exemplifies the artist's engagement with abstraction and his interest in the interplay of color and form, reflecting his North African heritage. The painting is significant within the context of post-war European art, as it contributes to the discourse on identity and cultural hybridity, positioning Atlan as a pivotal figure in the development of modernist abstraction.

"Harbor Scene with Boat," created by Denman Waldo Ross in the early 20th century, exemplifies the artist's engagement with Impressionist techniques and his focus on the interplay of light and color in maritime settings. The painting reflects Ross's broader contributions to American art, particularly through his role as an educator and advocate for modernist practices, influencing subsequent generations of artists.

"Cleopatra at her Toilet," painted by Johann Heinrich Tischbein the Elder in 1780, depicts the Egyptian queen in a moment of intimate preparation, reflecting the Neoclassical interest in classical themes and the idealization of beauty. The work exemplifies Tischbein's skill in blending historical narrative with a focus on the sensuality and elegance of the female form, contributing to the broader discourse on femininity and power in 18th-century art.

"View of Uji" by Nakajima Raishō (active late 19th century) exemplifies the Meiji period's engagement with traditional Japanese landscapes, reflecting a synthesis of Western techniques and Eastern aesthetics. The painting captures the serene beauty of Uji, a city renowned for its historical significance and natural scenery, thereby contributing to the cultural appreciation of Japan's heritage during a time of modernization.

"Brown and Gold: Lillie 'In our Alley!'" is a painting created by James Abbott McNeill Whistler in 1894, depicting the actress Lillie Langtry in a setting that reflects the artist's interest in color harmony and atmospheric effects. The work exemplifies Whistler's innovative approach to portraiture and his ability to blend figure and background, contributing significantly to the aesthetic movement of the late 19th century.

"Hannah Crocker Bowles Wolff (Mrs. Phillip Wolff) (1827-1872)" is a portrait created by Richard Morrell Staigg, an English painter known for his work in the mid-19th century. The painting exemplifies Staigg's skill in capturing the likeness and social status of his subjects, reflecting the cultural values of the period regarding portraiture and the representation of women in society.

"Seated Buddhist Patriarch Holding a Long Staff" is a notable work by Isshi Bunshu, a prominent Japanese painter of the Edo period, recognized for his contributions to the genre of Zen painting. The artwork exemplifies the influence of Zen Buddhism on Japanese art, reflecting the spiritual authority and meditative qualities associated with Buddhist patriarchs, while also showcasing Bunshu's mastery of brushwork and composition.

"The Taj Mahal, Moonlit," painted by James Rogers Rich in 1857, depicts the iconic mausoleum under the ethereal glow of moonlight, capturing the romantic and serene qualities of the structure. Rich, an American artist known for his landscapes and architectural subjects, contributed to the 19th-century fascination with the East, reflecting both the aesthetic and cultural interests of the period.

"Flamma Vestalis," painted by Edward Burne-Jones in 1885, depicts a Vestal Virgin, symbolizing purity and the sacred flame of Vesta, the Roman goddess of the hearth. The work exemplifies Burne-Jones's Pre-Raphaelite style, characterized by its intricate detail, rich color palette, and a focus on mythological themes, reflecting the artist's interest in classical antiquity and the spiritual dimensions of art.

"A View of The Hague from the Northwest," painted by Jan van Goyen in 1647, depicts a panoramic landscape of The Hague, showcasing the artist's mastery in capturing atmospheric effects and the interplay of light and shadow. This work is significant within the Dutch Golden Age, reflecting the growing interest in landscape painting and the representation of urban environments during this period.

"Portrait of a Seated Boy with Back Turned," created by Denman Waldo Ross in 1903, exemplifies the artist's interest in capturing the subtleties of childhood and the interplay of light and shadow. The painting reflects Ross's broader contributions to American art as a member of the Boston School, emphasizing a blend of Impressionist techniques with a focus on psychological depth in portraiture.

"The Beloved Child," painted by Jean-Honoré Fragonard in 1771, exemplifies the Rococo style characterized by its playful themes and delicate brushwork. The painting reflects the artist's exploration of familial affection and innocence, contributing to the broader discourse on childhood in 18th-century French art.

"George Foot Moore (1851-1931)" is a portrait painted by Ignaz Marcel Gaugengigl, an artist known for his skill in capturing the likeness and character of his subjects. The painting reflects Gaugengigl's mastery of portraiture during the late 19th and early 20th centuries, contributing to the understanding of social and cultural dynamics of the period through its representation of Moore, a notable figure in the arts and education.

"The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth," painted by Nicolas Poussin around 1650, exemplifies the artist's commitment to classical composition and the emotional depth of religious subjects. This work reflects Poussin's influence on the Baroque period, emphasizing the interplay of light and shadow while conveying a serene yet profound narrative of familial and divine connection.